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The 9CD+DVD set will effectively be the entire studio recordings of the band and will feature all their albums (remastered, presumably) plus additional discs of remixes and unreleased material.

Love & Basketball is the 2000 soundtrack to the film directed by Gina Prince-Bythewood. The album features music by Bilal, Me'Shell NdegeOcello, Rufus featuring Chaka Khan, Black Eyed Peas and many more. This CD was released by Overbrook Music in association with New Line.

Unico detentore del linguaggio e del pensiero astratto, l'uomo crede di poter estendere questa unicità anche al suo assetto biomeccanico e alle sue facoltà sensoriali. In realtà, come dimostrano Mark Denny e Alan McFadzean in modo non di rado sconcertante, una così tenace prospettiva antropocentrica ha fondamenta fragili e illusorie. Il nostro scheletro non è adatto alla locomozione quanto quello di molti quadrupedi. E ognuno dei nostri sensi, per quanto efficiente, mostra nel confronto con altre specie carenze sia strutturali che funzionali: l'occhio ha un'acutezza quattro volte inferiore a quella di un falco pellegrino; e lo stesso vale per olfatto, udito e gusto, dove veniamo surclassati, nell'ordine, da talpe, gufi e panda minori…

Beatles covers are a dicey proposition at best. Even the most ingenious and unique rendition seems destined to suffer in comparison to the original, and the potential for failure is virtually limitless – either way, it's an idea as sound as remaking Citizen Kane with Pauly Shore in the title role. And yet artists are drawn to the Lennon/McCartney songbook like bees to honey, their desire to cover these songs best likened to a creative death wish – We Can Work It Out assembles 16 of these kamikaze missions, and believe it or not, despite the inevitable wreckage there's also a handful of survivors. Setting loose these familiar songs in jazz and funk modes far removed from the Beatles' original recordings enables greater room for personalization and innovation, and the artists featured here are hardly slouches, either – Ike & Tina Turner (who know a thing or two about making covers their own – ask John Fogerty) deliver a gritty, low-down version of "Come Together," Stevie Wonder invests "We Can Work It Out" with the boundless optimism and sensitivity of his own music, and Earth, Wind & Fire update McCartney's Motown tribute "Got to Get You Into My Life" in accordance with the updated rules of the soul handbook. A bonus-mix CD courtesy of 4hero's Marc Mac rounds out a set far better than it has any right to be. (AMG)

Un regreso para Carmen que revisita un pasado doloroso siguiendo los pasos del clon de un adversario particularmente feroz: Leonid Maïakovski.2057. Tras liderar una dura negociación con la mafia rusa sobre las futuras condiciones de explotación de los yacimientos de gas de Siberia, Carmen se embarca en todas direcciones hacia el gran norte polar, en busca de un tren cargado con un equipo Gazdrom, extrañamente llevado en una tormenta de nieve en pleno verano, y que nunca llegó a Bovanenkovo, su destino.

Sinopsis de Sharon Carter sacada de la web dreamers: "Sharon Carter, la agente 13 de Shield, venía siendo la novía eterna del Capitán América desde finales de los 60, cuando el guionista Roger Mc Kenzie decidió acabar con su vida. Eso ocurrió en el 233 USA (4 Forum). Y no sólo le dio muerte de una manera chapucera, sino indigna ya que Sharon había caído en las garras del Dr. Faustus, que la había convertido en una Ku Klux Klanera racista ("América sólo será fuerte si es blanca", fueron las últimas palabras que dijo antes de inmmolarse)…