Alba

Alba – Les Ombres Errantes (“The Wandering Shadows”) is the first full-length movie directed by vocalist/guitarist Emmanuel Jessua. His band, HYPNO5E has turned down their amps, or switched them off entirely, to provide the stunning, seventy-five-minute soundtrack for this ambitious project.

I Treni All'Alba are prog band from the north western Italy that was formed between Aosta and Turin in 2002. The line up features Paolo Carlotto (acoustic and electric guitar), Daniele Pierini (acoustic and electric guitar), Sabino Pace (piano and keyboards) and Felice Sciscioli (drums and percussion). All the members are experienced musicians with different influences that managed to shape an amazing blend of folk and progressive rock. In 2008 they released their first full length album "Folk Destroyers" for the independent label Smartz Records. The album was recorded with the help of some guest musicians that contributed to enrich the sparkling sound of the band, with counter bass, flutes, sax, congas, trumpet, violin, accordion and many other musical colours…

Lara Vizuete Llorente (Miranda de Ebro, 1992) graduated in June 2015 from “Higher School of Music of the Basque Country” (Musikene) specialized in Jazz Vocal.

John McCabe - Hartmann Variations, Chagall Windows & Notturni ed alba
(Gomez - Hallé Orchestra - Loughran - CBSO - Frémaux )
EAC 099pb4 Rip | FLAC+CUE, LOGs | 1 CD | 71:38 min
330 MB | 300 dpi PDF Complete Scans
Genre: 20th Century - Contemporary | Label: EMI

Hello buddies! Here you are an OOP cd with several orchestral works by the gifted British pianist and composer John McCabe. Enjoy!!

"Ascanio in Alba" K. 111 came about through the good offices of Count Firmian, who had shared the Milan audience's enthusiasm for "Mitridate" and exerted his influence on the Empress in Vienna. He suggested entrusting the young Mozart with the composition of a festa teatrale for the wedding of the Empress's son, Archduke Ferdinand, and Maria Beatrice d'Este of Modena. Mozart began working on the score in late August 1771…

A great return for the Italian prog band Odessa, expected for thirteen years from the previous "The final day - il giorno del giudizio", twenty-three years after the acclaimed "Stazione Getsemani". "L'alba della civiltà"" shows all the best qualities already expressed by the Marches band: extraordinary versatility in its hard-progressive dynamics of Italian seventies sound, forays into "purple" way, jazz disgressions, romantic traits, but especially notable expressive, rhythmic and melodic brilliance. It is no coincidence that among the covers already proposed by Odessa there are Area, Rovescio della Medaglia, Trip, and this time, surprisingly, comes "L'anno, il posto, l'ora 1972", a song by Pooh of the symphonic period "Parsifal", with the particularity of going to propose the version never officially finished in their discography (there is only an old live document)…