The Alban Berg Quartet excel in 18th-century repertory and the Franz Josef Haydn found here makes up an especially excellent example of this ensemble’s playing. The music is great, too: the two late Op. 77 Quartets quartets are what I believe are the finest examples he penned in this genre.
These are studio recordings, dating from 1985 and completing a series begun in the late 70s with the C-major quintet and pursued in the early 80s with the 15th quartet and the "Trout" quintet. The "Death and the Maiden" here is not to be confused with the later, live recording made by the ABQ and released in 1998 - which I haven't heard, but which received warm reviews.
With Kempe at the helm we can be assured of elevated and noble performances. The BBC Legends issue captures him in two concerts given four months apart. The February 1976 concert was given at the Royal Festival Hall and gives us not unexpected fare – Berg – and decidedly unusual repertoire for Kempe in the form of Tippett’s Concerto for Double String Orchestra. This positively crackles with rhythmic energy and dynamism, the strings responding with admirable precision and unanimity of attack. The result is a performance of real standing and a precious surviving example of Kempe’s small repertoire of British works.
Shortly after Beethoven's death in 1827, the 18-year-old Felix Mendelssohn composed his String Quartet in A minor. Two years later, while on tour in England, the 20-year-old Mendelssohn composed his String Quartet in E flat major. The young Mendelssohn knew and loved Beethoven's late quartets – he'd heard, played, and even analyzed them – and his.
There were two Alban Berg Quartetts: the ABQ that recorded for Teldec in the '70s and the one that recorded for EMI in the '80s, '90s, and '00s. The first ABQ and the second ABQ shared two members first violinist Günter Pichler and cellist Valentin Erben and a common approach to chamber music more intellectual than emotional, more restrained than explosive, and more deep-down satisfying than superficially thrilling.
Excellent value box containing all of Berg's major works. The best performance is maybe Abbado's of Wozzeck. This is a live recording and sounds like it;very exciting orchestral playing that sometimes almost drowns out the voices . I dont think this is a problem as it kind of fits with opera's theme of helpless people up against forces they cant control etc. The Boulez recording of Lulu is also very good but here the lack of libretto in the package is a bit annoying as the opera has a very elaborate plot and the synopsis provided isnt really detailed enough to follow what's going on.
Spanning repertoire from the Classical to the contemporary and some 30 years of the Alban Berg Quartett's career, these recordings evince the achievement of an ensemble whose very name honours both the tradition and innovative musical spirit of its home city, Vienna. Founded in 1970, it soon became recognised as one of the defining quartets of the 20th century and went on to make two landmark recordings of the complete Beethoven cycle, the first in the studio, the second live at Vienna's Konzerthaus (presented here in both CD and DVD versions). This 70-disc set, which in addition features DVDs of Schubert and a live performance in St Petersburg, also documents the Alban Berg Quartett's collaborations with such artists as Sabine Meyer, Elisabeth Leonskaja, Alfred Brendel, Rudolf Buchbinder and Philippe Entremont.
Alban Berg (1885 - 1935), along with Schoenberg and Webern, is considered as one of the pioneers of avant-garde movement that gave license to the hardcore advocates of serialism and the 12-tone chromaticism to rock around the house with their eclectic vibes that still reverberates to this day. So, with no further ado, I'm proud to present the daddy-o of the modern music.peachfuzz