Albion]

The Albion Christmas Band evolved from special seasonal shows by the last incarnation of The Albion Band. On a suggestion from Simon Care, a previous Albion band member himself, the band's original founder Ashley 'The Guv'nor' Hutchings brought together two other previous Albion Band members to create an autonomous band to present a guided tour through the Christmas customs of Britain. These popular concerts feature a mixture of seasonal carols, spoken word, humorous readings and dance. But they add a modern twist with some newly written songs. The combined talents of Simon Nicol (Fairport Convention), Kellie While (Albion Band), Simon Care (Edward 11), and 'The Guv'nor' himself, Ashley Hutchings, founder of Fairport Convention, Steeleye Span and The Albion Band.

Albion is Ginger Wildhearts latest venture with the fan funded Pledge Music system, building upon the huge success of the 555%, Mutation and Hey! Hello! projects, and what a monster of an album it is. Albion has been recorded primarily by the lineup that Ginger put together for the live shows to support the 555% albums, hence the Ginger Wildheart Band monica and what a line up it is featuring the talents of Ginger Wildheart (The Wildhearts / Mutation / Solo / Hey! (Ginger Wildheart Band / The Loyalties / Bassknives / Michael Monroe Band), Victoria Liedtke (Ginger Wildheart Band / Hey! Hello!).

Daughters of Albion is happy Californian pop/rock music, imbued with streaks of the kind of weirdness that only cropped up in otherwise normal pop/rock records in the late 1960s. Some of the harmonies are good, if a little on the super-sweet and high side. The odd interjections of orchestration and weird little effects - most likely producer Leon Russell was a strong contributor in this regard - make this more interesting than you might expect from the basis of the songs alone. If you're looking for rough ballpark cult figures that might indicate whether you should seek this out, it's kind of between the albums of the era by Millennium and the Judy Henske-Jerry Yester duo. With its frequent good-time bounce, it's closer to Millennium than the darker and more resonant Henske-Yester collaboration, though it doesn't sound extremely close to either act, and isn't as good as either…