A 3-CD set, “Looking Through A Glass Onion” assembles these disparate strands into one cohesive package, with the studio day trippers, the cultural pranksters, the genre-benders, the folk club stalwarts and the hair-down-to-his-knees prog-rock brigade all grooving up slowly to the starting line.
Erotic Lounge - there is no better music to sex! A good collection of music - like a carefully cut diamond, find it among the slag heaps at times as difficult as to give the latter form. If we continue the analogy, the Sony BMG music produces such "diamonds" is not worse than the precious masterpieces by Cartier or Tiffany & Co. Therefore, past collections Erotic Lounge series to go hard, they cover charmingly attractive and content even more striking. The first collection was released in 2003, and each subsequent out once per year, revealing new facets as erotic titles.
A 3-CD set, “Looking Through A Glass Onion” assembles these disparate strands into one cohesive package, with the studio day trippers, the cultural pranksters, the genre-benders, the folk club stalwarts and the hair-down-to-his-knees prog-rock brigade all grooving up slowly to the starting line.
Poor Man Blues: Chicago Blues Session, Vol. 6 showcases the exceptional guitar skills of John Primer, who long served as a guitarist for Muddy Waters and Magic Slim. Primer falls somewhere between the two, turning out tough Chicago blues fueled by his biting slide guitar. His original songs aren't particularly interesting, but they function as good vehicles for exciting jams. In the end, Primer might not add anything new to Chicago blues, but he has a great time playing, and it sure is fun to listen to him play.
Wood Spider is the music the monster under your bed listens to when he's drunk and alone. They are the sounds of the clattering skeletons in your deep, dark closet. They tell stories of soul-crushing women and haunting cobblestone streets over the instrumentation of cello, guitar, ukulele and accordion.
David Daniels' Rinaldo is surely the equal of his illustrious 18th -century predeccessors. His countertenor is one of the most accomplished voices I have heard… As Arimda, Noemi Nadelmann's voices started where her legs ended, and shet hrew coloratura at us as though it was going out of fashion (astride her pet Hydra being a particularly fabulous show-stopper). David Walker as Goffredo is no vocal sluch either; his voice is brighter edged than Daniels', and almostb as fluent.