Alex Singer

Third album from Liverpool born singer-songwriter Alex Highton. Rather than the acoustic bucolic musings of ""Woodditton Wives Club"" (""a masterpiece,"" according to Heaven Magazine in Holland, ""World class,"" said the Guardian) or his disconcerting take on existence that was ""Nobody Knows Anything"" (""Sufjan Stevens like audacity….4 Stars"" Mojo Magazine""), his new album expands his sound into a something much more complex and sonically adventurous. As a kid his time was split between his native Liverpool and Florence, Italy, after his parents' divorce. Liverpool has a musical heritage that is impossible to escape but it was during the summers, whilst devouring his Dad's amazingly eclectic record collection , that his musical education began, taking in everything from Talking Heads & Penguin Café Orchestra to David Ackles & Bowie. He lost his twenties to bad decisions and then struggling through some kind of breakdown, he started to take songwriting seriously.

Alex Cameron has always been a great storyteller, finding his ways into the depths of the places where not many others are looking, and Oxy Music continues on that trajectory. It’s filled with stories of people who fall outside the system and exist in the grey areas of life.

As drummer Alex Kautz sees it, there are two parts to his musical brain: the Brazilian side, developed while growing up in São Paolo, and the jazz side, which came later, opening his ears to a wide world of musical possibilities. Those two approaches developed separately for Kautz and were initially fueled by different inspirations. Upon moving to New York City in 2007, though, he found a musical community that encouraged both, soon pushing him to new heights. “New York makes you find your uniqueness as a musician,” Kautz explains. “You really need to find a voice to fit. There are so many people playing so well and so many artists with their own ideas.

As drummer Alex Kautz sees it, there are two parts to his musical brain: the Brazilian side, developed while growing up in São Paolo, and the jazz side, which came later, opening his ears to a wide world of musical possibilities. Those two approaches developed separately for Kautz and were initially fueled by different inspirations. Upon moving to New York City in 2007, though, he found a musical community that encouraged both, soon pushing him to new heights. “New York makes you find your uniqueness as a musician,” Kautz explains. “You really need to find a voice to fit. There are so many people playing so well and so many artists with their own ideas.

As drummer Alex Kautz sees it, there are two parts to his musical brain: the Brazilian side, developed while growing up in São Paolo, and the jazz side, which came later, opening his ears to a wide world of musical possibilities. Those two approaches developed separately for Kautz and were initially fueled by different inspirations. Upon moving to New York City in 2007, though, he found a musical community that encouraged both, soon pushing him to new heights. “New York makes you find your uniqueness as a musician,” Kautz explains. “You really need to find a voice to fit. There are so many people playing so well and so many artists with their own ideas.

As drummer Alex Kautz sees it, there are two parts to his musical brain: the Brazilian side, developed while growing up in São Paolo, and the jazz side, which came later, opening his ears to a wide world of musical possibilities. Those two approaches developed separately for Kautz and were initially fueled by different inspirations. Upon moving to New York City in 2007, though, he found a musical community that encouraged both, soon pushing him to new heights. “New York makes you find your uniqueness as a musician,” Kautz explains. “You really need to find a voice to fit. There are so many people playing so well and so many artists with their own ideas.

Both creepy and cozy, the Pennsylvania singer-songwriter’s original score amplifies the melancholic beauty that hovers at the edges of director Jane Schoenbrun’s deeply online horror.

It’s mid- to late-1975, what remained of Big Star is no longer, Third/Sister Lovers was sitting on a shelf and Alex Chilton was in Memphis at a very low point. Chris Bell spent a large part of the year in London trying to get a solo record deal, but turned up empty and flew home to visit family in late summer. While at home, Bell was cutting more solo tracks at Ardent, one of which, “You And Your Sister” needed a harmony vocal, so he called in Alex.