Alicia (stylized in all caps) is the upcoming seventh studio album by American singer and songwriter Alicia Keys. It is scheduled to be released through RCA Records on September 18, 2020. It serves as the follow-up to 2016's Here. The album generated four singles: "Show Me Love", "Underdog", "So Done" and "Love Looks Better", as well as three promotional singles: "Time Machine", "Good Job" and "Perfect Way to Die". The album was originally scheduled to release on March 20, 2020, then May 15, before being delayed due to the COVID-19 pandemic. The album was also originally scheduled to be supported by Keys' Alicia: The World Tour which was set to commence in June 2020, but was also postponed.
Limited Edition 41-CDs set presenting Alicia de Larrocha’s complete Decca & American Decca recordings.
Including previously unreleased recordings of Grieg and Albéniz. Includes discs of bonus material: 2 CDs of de Larrocha’s early Hispavox (EMI/Warner) Madrid recordings of piano encores. Includes recordings with Pilar Lorengar, Rafael Frühbeck de Burgos, André Previn, Sir Georg Solti, Riccardo Chailly, Zubin Mehta and David Zinman. Greatly respected by her peers, not least Arthur Rubinstein, Gina Bachauer, Van Cliburn, Claudio Arrau and Vladimir Horowitz, if you wanted to witness a Who’s Who of New York City-based keyboard luminaries gathered in one place, you simply had to purchase a ticket for an Alicia de Larrocha recital..
Celebrated for her glorious traversals of 19th and 20th-century Spanish piano repertoire, on this recording Alicia de Larrocha harks back to the Baroque, offering a selection of sonatas by Scarlatti as well as the much lesser-known ones of his contemporary (and her compatriot) Soler. Sandwiched between, is her recording of the fifth of Handel’s keyboard suites with its celebrated ‘Harmonious Blacksmith’ variations. This issue forms part of a survey of Larrocha’s celebrated Decca recordings with some of them (on this issue, the Scarlatti sonatas Kk. 8 and 10) appearing on CD for the first time. Six of the Soler sonatas appear from Larrocha’s Scarlatti/Soler recording with a further two (tracks 18 and 19) from a recital of Spanish encores.
Alicia Keys' debut album, Songs in A Minor, made a significant impact upon its release in the summer of 2001, catapulting the young singer/songwriter to the front of the neo-soul pack. Critics and audiences were captivated by a 19-year-old singer whose taste and influences ran back further than her years, encompassing everything from Prince to smooth '70s soul, even a little Billie Holiday. In retrospect, it was the idea of Alicia Keys that was as attractive as the record, since soul fans were hungering for a singer/songwriter who seemed part of the tradition without being as spacy as Macy Gray or as hippie mystic as Erykah Badu while being more reliable than Lauryn Hill. Keys was all that, and she had style to spare – elegant, sexy style accentuated by how she never oversang, giving the music a richer feel. It was rich enough to compensate for some thinness in the writing – though it was a big hit, "Fallin'" doesn't have much body to it – which is a testament to Keys' skills as a musician.
Clarinetist Alicia Lee releases Conversations With Myself, a collection of works for solo clarinet with and without electronics, chronicling a year of artistic activity in isolation. Works by Pierre Boulez, Dai Fujikura, Isang Yun, Unsuk Chin, and Hideaki Aomori make for a program that highlights music by composers of Asian descent and Boulez' iconic work exploring the dichotomy between live performance and pre-recorded material.