Alive at Work

Alive at the Village Vanguard is a collaborative live album by pianist Fred Hersch and jazz bassist Esperanza Spalding. Palmetto Records released the album on 6 January 2023. The album marks Hersch's sixth release recorded in the storied venue. He explained, "This recording sounds like you’re in the best seat in the Vanguard for a very live experience. You can really feel the vitality of the room, of the audience, and of our interplay. We decided on the word Alive for the album title as you can really feel the intimacy and energy of the performances." Spalding does not play a bass here, performing vocal parts only.

John Hiatt's first live album was recorded during a 1994 winter-spring tour of the U.S. (the title is a joke) and finds the singer/songwriter backed by the Guilty Dogs, a guitar-bass-drums trio. He doesn't need any more ammunition than that, not when he's got a set of 15 songs drawn from his last four critically acclaimed albums, including "Thing Called Love" and "Tennessee Plates."…

A British dance-pop group which found fame thanks to the antics of androgynous frontman Pete Burns, Dead or Alive formed in Liverpool in 1980. Burns first surfaced three years prior in the Mystery Girls, later heading the proto-goth rockers Nightmares in Wax; he founded Dead or Alive with keyboardist Marty Healey, guitarist Mitch, bassist Sue James, and drummer Joe Musker, debuting in 1980 with the Ian Broudie-produced Doors soundalike "I'm Falling." "Number Eleven" followed, but just as the group was gaining momentum, they were swept aside by the emergence of the New Romantic movement, with Burns subsequently charging that fellow androgyne Boy George of Culture Club had merely stolen his outrageous image.