The original 12-song LP has been expanded to 20 tracks for this CD. The original material comprised a very pleasant and diverting psychedelic pop release, strongly reminiscent at times of the early Bee Gees from Horizontal, interspersed with some heavier-sounding tracks that were closer to the World of Oz's actual sound on-stage. The bonus cuts are single edits and mixes of tracks that were already represented on the album, so there's nothing new to hear except for a punchier, more compressed sound on some of the better songs. The sound quality is most impressive, however, and given the sheer rarity of the original LP, the chances of anyone having the latter already lying around to be heard are next to non-existent - so this CD ends up being essential listening for almost anyone fascinated by the commercial side of British psychedelia.
The original 12-song LP has been expanded to 20 tracks for this CD. The original material comprised a very pleasant and diverting psychedelic pop release, strongly reminiscent at times of the early Bee Gees from Horizontal, interspersed with some heavier-sounding tracks that were closer to the World of Oz's actual sound on-stage. The bonus cuts are single edits and mixes of tracks that were already represented on the album, so there's nothing new to hear except for a punchier, more compressed sound on some of the better songs. The sound quality is most impressive, however, and given the sheer rarity of the original LP, the chances of anyone having the latter already lying around to be heard are next to non-existent - so this CD ends up being essential listening for almost anyone fascinated by the commercial side of British psychedelia.
Great melodies, simple songs and a production that consists of the full works, "World Of Oz" is a magical world indeed. It's in much the same territory as Mark Wirtz, The Herd and all those other transitory late 1960s pop acts that presented a colourful, unchallenging escape. There might not be any hits, but the singles "Muffin Man" and "King Croesus" are unforgettable. Having said that, there are catchy melodies and sumptuous arrangements all over this album. The band themselves were a four-piece with a suitably boyish lead singer. The bonus tracks don't add much as all but one are single versions of album tracks but there is quality enough without them.
In 1990 Neil Hannon started recording and releasing under the name The Divine Comedy. Thirty years and twelve great albums later, Hannon is rightly adjudged one of the finest singer songwriters of his generation. To celebrate, Divine Comedy Records are remastering and reissuing nine of the band's classic albums.
Fifty years after the three-day concert made rock’n’roll history, a gargantuan, 38-disc set attempts to tell the full story of the event for the very first time. The mythological status of 1969’s Woodstock Music and Arts Festival can sometimes feel overpowering. The festival is the ultimate expression of the 1960s. Moments from the three-day concert have crystallized as symbols of the era, with details like Richie Havens’ acoustic prayer for freedom, Roger Daltrey’s fringed leather vest, or Jimi Hendrix’s “Star Spangled Banner” held up as sacred countercultural relics.
Jupiter Calling is the upcoming seventh album by The Corrs, set to be released on 10 November 2017 by East West Records. It is their first new material in two years, following White Light (2015).