The Great Classics series from Naxos is the perfect introduction to myriad genres of classical music. Comprising both complete and compiled selections from the greatest works in the repertoire, the boxes are bursting with wonderful pieces of music, both recognizable and unfamiliar. The boxes take the listener on a thrilling tour of some of the worlds most dramatic musical media, encompassing music from six centuries and featuring sensational performers. All boxes come with a fascinating booklet with detailed information on the genre itself, chronological placement of each work, and a comprehensive study of the music. A fitting celebration of 25 years of superb music from Naxos, the worlds favourite classical label.
Most opera fans are familiar with Gluck the reformist – the composer of Orphée et Eurydice who sought to balance drama and music in his works. But few know his early works which show him to be a master of the Baroque opera seria tradition he later rejected. L'innocenza giustificata, a festa teatrale written in 1755, is one of these works. Its structure – cobbled together from aria texts by Pietro Metastasio, but with new recitatives by Giacomo Durazzo – already shows a desire to create more dramatic continuity and interest than was commonly found in the Baroque period.
Drummer Jon Hiseman seemingly had low expectations for a Colosseum reunion. The group decided to re-form at keyboardist Dave Greenslade's 50th birthday party, although Hiseman wasn't sure the timing was right. He was hopeful his German bookers could maybe put together six shows; they swiftly found 30, with Colosseum going on to play over 100 gigs during 1994-1995. And why not? In their three-year lifespan, the group racked up three U.K. Top 20 albums, while simultaneously blowing the socks off of Germany and much of Europe. And coming back together after two decades was, judging by the music here, a lot like coming home…