This powerful four disc anthology is a wonderful illustration of the genius that was the late, great Frank Zappa in performance and broadcasting live to air. Zappa always defies categorisation. He blended humor, satire, virtuoso guitar, challenging lyrics, bawdy tales, brilliant compositions, and inspired improvisation and somehow managed to make those diverse elements work together in a unique, musical form which defies categorisation, and is known to posterity by the term "Zappa".
Eclectic Maybe Band is the creation of Guy Segers, a player / composer / producer first prominent as bassist with legendary band Univers Zero, and subsequently active in many live and studio projects. “Again Alors?” is the third release by EMB which brings together detailed studio work with the creativity of real time improvisation. Using different groupings from within a large ensemble cast, which includes many well-known names, Guy has created an album where half the tracks are drawn from live improvisation in the studio and half are created from the ground up with players adding their composed or improvised parts one at a time. In both cases Guy assumes the role of master arranger, taking the improvisations as raw material and sculpting them into finished pieces. This richly detailed new release takes the listener on a journey through rock, jazz, electronic and abstract landscapes packed with detail.
The six trio sonatas stand out as an almost unique exception in Bach s output for the organ, essentially composed for the Lutheran liturgy in a style that is frequently much more severe and sometimes positively out of step with the tastes of his time. Here, though, all the ingredients of the style galant are present: the flexibility and singing character of the melodic lines, the purity and apparent simplicity of the three-part harmony, not forgetting the three-movement form.
Maurice Yvain’s operettas were immensely successful in the 1920s. The fantasy of the ‘swing’ music, the catchy songs and the perfectly oiled rhythms were all the rage in the Paris of the Roaring Twenties. But the success of these comedies, with their caustic humour, also owed much to the fabulous texts by Albert Willemetz, considered as one of the fathers of modern operetta in the twentieth century. Yvain and Willemetz’s numbers were hummed in the streets and charmed all who hear them – and still do, even a century later! Les Frivolités Parisiennes set out to revive this music, which is still as young as ever. Yes! was premiered at the Théâtre des Capucines on 26 January 1928 and was an immediate hit: this story of a complicated marriage, moving between Le Touquet and London, was to remain on the bill for years to come. The version presented here by Les Frivolités Parisiennes is as close as possible to the spirit of the work’s premiere, and includes all available musical material. With the exceptional participation of Clément Rochefort as narrator.