Alphonso Dunn

Alphonso Johnson - Yesterday's Dreams (1976) {WOU}  Music

Posted by tiburon at Nov. 20, 2018
Alphonso Johnson - Yesterday's Dreams (1976) {WOU}

Alphonso Johnson - Yesterday's Dreams (1976) {WOU}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 292MB + 5% Recovery
MP3 CBR 320 Kbps | 81MB + 5% Recovery
Genre: Fusion, Jazz-Funk

A killer all-star session of funky fusion tracks – with a nice tight sound produced by Skip Drinkwater! Yesterday's Dreams differs a little from Alphonso's other strong mid 70s efforts in that it's not as spacey as a whole – but the rubbery, cleanly funky grooves are just as strong – and the record as a whole makes for more of a showcase for his excellent group of players! Bassist Johnson leads the session, but there's a huge amount of guests, such as Grover Washington, Patrice Rushen, Mike Clark, and Sheila Escovedo. Plus, Jon Lucien, Diane Reeves, Flora Purim, and Phillip Bailey all sing on the record! Titles include "One To One", "As Little As You", "Scapegoat", "Show Us The Way", "Tales Of Barcelona", and the future soul classic "Love's The Way I Feel 'Bout Cha".
Patrice Rushen / Ernie Watts / Alphonso Johnson / Ndugu Chancler - The Meeting (1990) {GRP}

Patrice Rushen / Ernie Watts / Alphonso Johnson / Ndugu Chancler - The Meeting (1990) {GRP}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 420MB + 5% Recovery
MP3 CBR 320 Kbps | 158MB + 5% Recovery
Genre: Jazz, Fusion, Jazz-Funk, Funk

The selections on this uncommonly strong CD (a collaboration featuring keyboardist Patrice Rushen, saxophonist Ernie Watts, bassist Alphonso Johnson and drummer Ndugu Chancler) alternate between soulful jazz, inventive R&B, a bit of funk and ballads. Watts is in top form, and Rushen (who recalls Chick Corea on "Tango" and Herbie Hancock in other spots) shows that she can play with creativity. The set is a pleasant surprise and is recommended to listeners who enjoy R&B-oriented jazz.
Billy Cobham, Steve Khan, Alphonso Johnson, Tom Scott - Alivemutherforya (1978) {2002 Legacy} **[RE-UP]**

Billy Cobham, Steve Khan, Alphonso Johnson, Tom Scott - Alivemutherforya (1978) {2002 Legacy}
EAC Rip | FLAC with CUE and log | scans | 273 mb
MP3 CBR 320kbps | RAR | 105 mb
Genre: jazz

Alivemutherforya is the 1978 album by Billy Cobham. Steve Khan, Alphonso Johnson, and Tom Scott, with help from Mark Soskin. Originally released on Columbia, this is a live recording and as the title explains, this is "a live mother for you". This is a Legacy CD released in 2002.

Alphonso Williams - Mr. Bling Bling Classics (2017)  Music

Posted by aasana at May 26, 2017
Alphonso Williams - Mr. Bling Bling Classics (2017)

Alphonso Williams - Mr. Bling Bling Classics (2017)
Soul | 39:34 mins | MP3, 320 kbps | 90 MB
Label: Polydor (Universal Music)

Mr. Bling Bling Classics vereint 13 handverlesene Black Music-Klassiker aus den goldenen 60s und 70s, die Alphonso Williams gründlich entstaubt hat und auf seine unnachahmliche Art modern interpretiert. Angefangen bei James Browns funky Hüften-Shaker „I Got You (I Feel Good)“, über Bill Withers` tieftraurigen Evergreen „Ain‘t No Sunshine“, Lionel Richies tiefenentspannte Wellness-Hymne „Easy“ oder das dramatisch-bombastische Make-Over von Jimmy Ruffins „What Becomes Of The Broken Hearted“, bis hin zu Al Greens berührendem „Let‘s Stay Together“.

Willie Dunn - Willie Dunn (1972/2021)  Music

Posted by v3122 at Aug. 25, 2021
Willie Dunn - Willie Dunn (1972/2021)

Willie Dunn - Willie Dunn (1972/2021)
Flac(Image) + Cue & MP3 CBR 320Kbps
Light In The Attic Records | ~ 192 or 78 Mb
Folk, Country Rock

William Dunn (August 14, 1941 – August 5, 2013) was a Canadian singer-songwriter, film director and politician. Born in Montreal, he was of mixed Mi'kmaq and Scottish/Irish background. Dunn often highlighted indigenous issues in his work…
«Anglo-Saxon Grammar and Exercise Book with Inflections, Syntax, Selections for Reading, and Glossary» by C.Alphonso Smi

«Anglo-Saxon Grammar and Exercise Book with Inflections, Syntax, Selections for Reading, and Glossary» by C.Alphonso Smith
English | EPUB | 0.8 MB
Willie Dunn - Creation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology (2021) [Official Digital Download]

Willie Dunn - Creation Never Sleeps, Creation Never Dies: The Willie Dunn Anthology (2021)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 77:53 minutes | 747 MB
Folk, Country | Label: Light In The Attic Records, Official Digital Download

How did you first experience the poetry, music, and film of Willie Dunn? In a Montreal coffeehouse during the mid-1960s? On a CBC Indian Magazine broadcast with host Johnny Yesno? At a Toronto record store or Native Friendship Centre at the turn of the 1970s? Waiting outside of the Mohawk Nation Longhouse? Maybe in your parent’s record collection on the Rez? A White Roots of Peace gathering? Pow wow? The Mariposa Folk Festival?
Jourdan Dunn by Olivia Lifungula for The Sunday Times Style 6th June 2021

Jourdan Dunn - Olivia Lifungula Photoshoot 2021
7 jpg | up to 1280*1600 | 13.25 MB
English model

Passion in Philosophy: Essays in Honor of Alphonso Lingis  eBooks & eLearning

Posted by roxul at Sept. 5, 2021
Passion in Philosophy: Essays in Honor of Alphonso Lingis

Randolph Wheeler, "Passion in Philosophy: Essays in Honor of Alphonso Lingis"
English | ISBN: 1498534678 | 2016 | 184 pages | PDF | 11 MB
Trevor Dunn's Trio-Convulsant - Sister Phantom Owl Fish (2004) {Ipecac Recordings IPC-52}

Trevor Dunn's Trio-Convulsant - Sister Phantom Owl Fish (2004) {Ipecac Recordings IPC-52}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 334 Mb | MP3 @320 -> 131 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 2004 Ipecac Recordings | IPC-52
Jazz / Alternative / Experimental Rock / Avant-Garde Jazz / Post-Rock

Trevor Dunn's Trio-Convulsant is back for their second album, although with a completely different lineup (besides Dunn, of course). Adam Levy and Kenny Wollesen are gone, replaced by Mary Halvorson on guitar and Ches Smith on drums. The music they play is not so much a fusion of styles as it is a collision of styles. Almost straight-ahead jazz noodling gives way to hardcore blasts and crunching power chords, then completely devolves into Derek Bailey territory, but the band is always together. You can tell that some of it is quite composed, and that other sections are most likely entirely improvised.