Amanda David

Amanda Lear first surfaced in the early '70s as a fetishistically clothed album-cover model for Roxy Music. She was said to be a transsexual but, as she told Interview magazine, that was just a ruse dreamed up by her sponsor, David Bowie, to draw attention. Her importance to disco fans, however, began in 1977, when she recorded I Am a Photograph in Germany with production help from Tony Monn…

Queen Of Chinatown is a compilation album by French singer Amanda Lear, including the best songs from first four albums 1977-1980's. Amanda Lear first surfaced in the early '70s as a fetishistically clothed album-cover model for Roxy Music. She was said to be a transsexual but, as she told Interview magazine, that was just a ruse dreamed up by her sponsor, David Bowie, to draw attention. Her importance to disco fans, however, began in 1977, when she recorded I Am a Photograph in Germany with production help from Tony Monn. I Am a Photograph is the first of six sleazy, hard-to-find albums in which she flaunts a voice so heavy with low notes it makes one wonder if she really isn't a man after all.

Amanda Lear first surfaced in the early '70s as a fetishistically clothed album-cover model for Roxy Music. She was said to be a transsexual but, as she told Interview magazine, that was just a ruse dreamed up by her sponsor, David Bowie, to draw attention. Her importance to disco fans, however, began in 1977, when she recorded I Am a Photograph in Germany with production help from Tony Monn. I Am a Photograph is the first of six sleazy, hard-to-find albums in which she flaunts a voice so heavy with low notes it makes one wonder if she really isn't a man after all. But Lear's slow notes are simply an exaggeration of the whiskey-voiced sultriness created by Marlene Dietrich.

Stars gab es am Discohimmel der siebziger Jahre viele, Sternchen noch viel mehr. Doch die Disco-Queen gab es nur einmal: Amanda Lear. Die einstige Muse Salvador Dalís begann ihre Karriere als Fotomodell und Mannequin, war später in mehreren Ländern als TV-Talkmasterin erfolgreich und ist inzwischen selbst eine geachtete und geschätzte Malerin. Der größte Teil ihrer Fangemeinde besteht jedoch nach wie vor aus Musikfreunden. Kein Geringerer als David Bowie war es, der die Frau mit der geheimnisvollen Aura und der markanten tiefen Stimme dazu ermunterte, Schallplatten aufzunehmen

Just David Newman's third film score, The Kindred is a work of surprising sophistication and maturity, especially given the lowbrow origins of its creature-feature subject. Newman's macabre interpretation of classical traditions and deft fusion of orchestral and electronic elements create a palpable sense of drama and dread – his themes unfold like black orchids in bloom, with simple, foreboding melodies that build to dizzying eruptions of sound. While largely forgoing substance for style, The Kindred does offer several glimpses of Newman's emerging hallmarks. In particular, the chilling "Transformation" employs atonal string effects and dissonant woodwinds rooted in modernist sensibilities, anticipating the harmonic complexity of film scores to come.