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The dynamic Chicago rock band Wilco returns with its 12th studio album, the first of its kind. Cruel Country is the band's exploration of the genre they've often been defined by but, until now, never fully embraced…

When Wilco announced the upcoming release of their album Cruel Country in late April 2022, it immediately generated a lot of excitement from a part of their fan base that hadn't been heard from much in a while. In the initial press releases on the LP, Jeff Tweedy described it as a country album, exciting news for the folks who had been following the band since their earliest days as Tweedy's post-Uncle Tupelo project, and had felt disappointed since their audible twang essentially disappeared with 1999's Summerteeth. But anyone hoping Cruel Country was going to take Wilco back to the rollicking alt-country sound of 1995's A.M. or 1996's Being There needs to adjust their expectations. Though Cruel Country is indeed the most "country" album Wilco have delivered in over 20 years, it's not "country" in the way they sounded in the mid-'90s.

The dynamic Chicago rock band Wilco returns with its 12th studio album, the first of its kind. Cruel Country is the band's exploration of the genre they've often been defined by but, until now, never fully embraced. The double album features 21 Jeff Tweedy-penned tracks, made almost entirely of live takes, created with all six members together in The Loft for the first time since the 2011 release The Whole Love.

There’s no sign of any let up in Neil Young’s current reissue/release productivity, with the announcement of three new albums in his ‘Official Bootleg Series’. These are Royce Hall, 1971, a solo acoustic gig which was recorded on 30 January of that year on the UCLA (University of California) campus; Dorothy Chandler Pavilion, 1971, another solo acoustic performance and the last US show of his 1971 solo tour; and, perhaps most excitingly, Citizen Kane Jr. Blues (Live at The Bottom Line), an On The Beach-heavy set from New York City, 1974.