American Quartet

The Dalí Quartet is acclaimed for bringing Latin American quartet repertoire to an equal standing alongside the Classical and Romantic canon. Tours of it's Classical Roots, Latin Soul programming have reached enthusiastic audiences across the U. S. , Canada and South America. It's fresh approach has been sought out by distinguished series in New York, Toronto, Philadelphia, Washington DC, Los Angeles, San Diego, San Jose, Seattle, San Juan and countless communities beyond.

After the excitement of hearing their bracing Bartok cycle (the Gramophone Record of the Year in 1989), I've found the Emerson's subsequent releases more than a little disappointing. ''Cold and abrasive'' was my verdict on their Beethoven/Schubert when I reviewed it for BBC Radio 3's ''Saturday Review'', and it stands. But the Smetana on this new disc is more encouraging.

I first heard the late string quartets of Beethoven in my teens, on a budget price LP on the French Musidisc label. I don’t remember much about the performances; one movement that sticks in my mind is the slow movement of Op. 127, which was played at an expansive tempo, and took around twenty minutes. However I do remember the liner-notes, which were obviously translated by someone for whom English was not their first language.

The Alexander String Quartet launches its 40th season with this recording of Brahms String Quartets — plus Brahms’ Intermezzo (transcribed for string quartet by Zakarias Grafilo). With these complete Brahms Quartets, the ASQ has compiled a veritable Brahms compendium, including Brahms’ Clarinet Quintet (FCL 2021, with Eli Eban) and Piano Quintets (FCL 2014, with Joyce Yang), both named "MusicWeb International Recordings of the Year", as well as his String Quintets and Sextets (FCL 2012), which were hailed as a “life-enhancing set” by The Arts Desk.