I've been following this gloomy Norwegian gothic death metal group fer many a year now, and their career isn't the simplest to sum up. Let's try shall we, since this'll be their lastest album. They've veered from their first two records of mournful epics uplifted by operatic vocals, to hate-fuelled, Dimmu-style melodic extremities with the next two, and recently to a more compact sound partway between Tristania and Penumbra…
The single most influential album of Western songs in post-World War II American music, Gunfighter Ballads and Trail Songs touched a whole range of unexpected bases in its own time and has endured extraordinarily well across the ensuing four decades. The longevity of the album's appeal is a result of Marty Robbins' love of the repertory at hand and the mix of his youthful dynamism and prodigious talent that he brought to the recordings, and the use of the best music production techniques of the era. Add to that the presence of a pair of killer original songs that were ready-made singles, "El Paso" and "Big Iron," and a third, "The Master's Call," that was startlingly personal, and the results are well-nigh irresistible.