Amon Düül

Released in 1974, Amon Düül II's Hijack is not frequently (if ever) regarded as one of their better albums. In fact, author Ingmar Schrober gives it a few scant sentences in Tanz der Lemmings, his biography of the band published in 1979. For the most part, this critical dismissal is accurate - fans and critics seem to agree for once - most of what's here is unfocused, very polished, meandering psych prog that goes nowhere. But Hijack is significant in the band's history, and perhaps for posterity as well, for three reasons. The first of these is that the recording of this album signalled a short-lived reunion of sorts for most of the members of the original Amon Düül - vocalist Renate Knaup-Kroetenschwanz, guitarist/vocalist Chris Karrer, guitarist John Weinzierl, drummer Peter Leopold…

The return of the definitive Krautrock band, Amon Düül II, who proudly present their first CD & vinyl release in nearly 20 years, a bold new album of extra trippy, progressive, spacey, Düüliriousness! This special project features founding members John Weinzierl (guitar), Chris Karrer (guitar, violin) and Renate Knaup (vocals) plus longtime members Lothar Meid (bass) and Daniel Fischelscher (drums), With one of the most fanatical followings in all of rock music as well as a world renowned reputation as perhaps the most influential experimental band, this release is sure to get the music community talking.

Released to raise money for victims of the Kobe, Japan, earthquake, this Amon Düül II disc from 1996, like the very similar Eternal Flashback, is actually material from 1969 to 1971 reworked through the wonders of plunderphonics by members of the group into one seamless, 65-minute-long space rock epic. It's not quite as radical as the John Oswald remix of the Grateful Dead's "Darkstar" on Grayfolded or the Can remix album Sacrilege, though it's still a quite fascinating bit of trickery, as bits of tracks from the first two albums, Phallus Dei and Yeti, are blended with previously unreleased material. The rhythms are often looped to retain the essence of the original album, but drawn out into long, hypnotic passages with oozes of guitar floating around them, while most of the vocal sections have been completely excised out, leaving this a complete instrumental workout…

Made In Germany was a real musical transformation for Amon Düül II. If you took this album, and ADII's first album "Phallus Dei" and played them both for an unknowing listener, they would never even suspect it was the same band! The songs like "Ludwig" have an almost Beatlesesque quality to them (albeit on much more drugs). Ambitious vocal harmony arrangements, pristine production values, orchestral flourishes… Amon Duul? Anyway, this album is a masterwork of a completely different sort than their earlier releases, so naturally many fans will not still be onboard at this point. Short, vaguely Floydian spacy instrumental breaks replace the full-on sonic assaults of yore, and the main feature is… songs. Beautiful, sometimes achingly melancholic, sometimes witty and humorous, always honed like a gem; this is top-notch songwriting without ever losing ADII's keen eye for ambition.

Released to raise money for victims of the Kobe, Japan, earthquake, this Amon Düül II disc from 1996, like the very similar Eternal Flashback, is actually material from 1969 to 1971 reworked through the wonders of plunderphonics by members of the group into one seamless, 65-minute-long space rock epic. It's not quite as radical as the John Oswald remix of the Grateful Dead's "Darkstar" on Grayfolded or the Can remix album Sacrilege, though it's still a quite fascinating bit of trickery, as bits of tracks from the first two albums, Phallus Dei and Yeti, are blended with previously unreleased material. The rhythms are often looped to retain the essence of the original album, but drawn out into long, hypnotic passages with oozes of guitar floating around them, while most of the vocal sections have been completely excised out, leaving this a complete instrumental workout…

Live in Tokyo is a live record from the reunited original lineup of Amon Duul, and while most of the members are in place, the band isn't able to recapture the spark that made their early-'70s albums prog-rock milestones. The lineup features three longtime members, Renate Knaup, Lothar Meid, and Chris Karrer, with Wolf Wolff on drums and new second guitarist Felice Occhionero, Michael Ruff on keyboards and Jan Kahlert doing percussion and vocals. Most of the material is from Nada Moonshine # and one of their best albums, Wolf City.

Amon Düül II was born of an artistic and political community called Amon Düül (which recorded during the late sixties a long live session made around collective and free musical improvisations). The band emerged from the underground German rock scene with a very original and eccentric album called "Phallus Dei" (1969). Only Human (1978) is way better than people give it credit for. Granted, it does not sound like Phallus Dei at all, but that doesn't make it bad, just different. What we have here is a band stretching out to encompass the style of the times, while adding its own unique flavor. As such, Only Human shows strong Disco influences, often incorporating elements from World Music. Spaniards & Spacemen is a delightful highlight, fusing flamenco guitar with cutting edge electronic dance music. Kismet is also wonderful, with a distinct Middle East flavor. So if you're open minded and not averse to a little Disco, give Only Human a listen.

The return of the definitive Krautrock band, Amon Düül II, who proudly present their first CD & vinyl release in nearly 20 years, a bold new album of extra trippy, progressive, spacey, Düüliriousness! This special project features founding members John Weinzierl (guitar), Chris Karrer (guitar, violin) and Renate Knaup (vocals) plus longtime members Lothar Meid (bass) and Daniel Fischelscher (drums), With one of the most fanatical followings in all of rock music as well as a world renowned reputation as perhaps the most influential experimental band, this release is sure to get the music community talking.

The only side of the continually frustrating Cleopatra label that makes any sense at all, the reissue subsidiary Purple Pyramid continues its commitment to quality archival Krautrock with The Best of Amon Düül II 1969-1974, a collection that charts the best moments from the best period of one of the most fascinating (and often bewildering) German groups of the '70s. Included are tracks from several of Amon Düül II's best LPs: from Yeti comes "Soap Shop Rock" and "Pale Gallery," from Tanz der Lemminge comes "A Short Stop at the Transylvanian Brain-Surgery" and "Stumbling Over Melted Moonlight," and from Wolf City there's "Surrounded by the Stars," "Deutsch Nepal," and the title track. Though Amon Düül II's albums of the period are necessary for fans of the group, this makes not only a perfect introduction for new listeners but also a handy summation of what made the band great.