Amos V23

Tori Amos - Abnormally Attracted to Sin
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | Full Scan Covers | MU, RS | 1.45 GB 3% recovery
2009 | Genre: Pop/Rock, Alternative Rock | Label: Universal Republic | 1-522 | US pressing, double LP 180 gr
Reached #9 on The Billboard 200 (2009)

Abnormally Attracted to Sin is the tenth studio album by singer-songwriter Tori Amos. It debuted on Billboard 200's "top ten" list, at #9, making it the artist's seventh album to do so. It is also the artist's first release under her deal with Universal Republic Records, following the end of her contract with Epic Records, and can be cited as the first non-conceptualized and self-proclaimed "personal album" by the singer-songwriter in over 10 years.

(wikipedia)

Tori Amos - Native Invader (2017) {Universal Hardback Book Edition with full artwork}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 388 Mb | MP3 @320 -> 161 Mb
Full Artwork @ 300 dpi (png) -> 154 Mb | 5% repair rar
© 2017 Tori Amos / Decca / Universal | 00028948155873
Rock / Alternative / Ballads / Indie / Contemporary Singer/Songwriter

A decade after the release of her most politically outspoken album, a reinvigorated Tori Amos once again takes aim at the state of the world on her 15th album, Native Invader. One of Amos' tightest and most digestible efforts, it's a standout in her late-era catalog, featuring instant classics like the epic "Reindeer King" and the surprising thrill "Up the Creek." Much like spiritual sisters American Doll Posse and Scarlet's Walk, Native Invader was influenced by political turmoil on American soil; this time, following the outcome of the 2016 presidential election. However, instead of directing her barbs at an obvious target like she did on "Yo George," she veers her attention toward nature and the land.

With her haunting solo debut Little Earthquakes, Tori Amos carved the template for the female singer/songwriter movement of the '90s. Amos' delicate, prog rock piano work and confessional, poetically quirky lyrics invited close emotional connection, giving her a fanatical cult following and setting the stage for the Lilith Fair legions. But Little Earthquakes is no mere style-setter or feminine stereotype – its intimacy is uncompromising, intense, and often far from comforting. Amos' musings on major personal issues – religion, relationships, gender, childhood – were just as likely to encompass rage, sarcasm, and defiant independence as pain or tenderness; sometimes, it all happened in the same song.

She may be the daughter of a reverend, but Tori Amos never seemed the likeliest candidate for a Christmas album; she might sing about "God", but her music always seemed secular and never seasonal, but in a year that brought holiday albums by Bob Dylan and Sting, it makes perfect sense that Tori should deliver one, too…