an Evening With Kevin Smith

The Unicorn saga began in 1963 when Ken Baker met Pat Martin at secondary school in England. They were both learning to play the guitar at the time, and soon began jamming on British beat tunes and Beatles covers in Martin's garage. Drummer and soon lead vocalist Peter Perrier was brought in and various people filled in on bass until Trevor Mee (who had been jamming with Tony Rivers & the Castaways) came aboard as a guitarist, with Martin switching over to bass. By 1968, they were playing gigs as the Late Edition (or simply the Late, as they called themselves by 1968) and backing other singers. In 1969, during a month-long residency in Copenhagen, they listened to the Crosby, Stills & Nash album, which been released in May of that year.

Legendary singer-songwriter Leonard Cohen died on November 7, 2016, one day before the 2016 Presidential Election, but the world didn’t find out for several days after. On January 24, 2017 (shortly after the inauguration of Donald Trump and the succeeding Women’s March), New York City finally paid tribute to the Poet Prince of Montréal with a concert featuring dozens of singers, songwriters and musicians, including Richard Thompson, Josh Ritter, Will Sheff (Okkervil River), Amy Helm, Lee Ranaldo (Sonic Youth), Lenny Kaye (Patti Smith Group), Elvis Perkins, Holly Miranda, Joan As Police Woman, Delicate Steve, and many more. It was an evening the Village Voice called “a loving, thoughtful tribute to Cohen’s life in music and poetry.” The live album features highlight performances from this nearly three-hour marathon concert, which the Voice also hailed as a “carefully constructed, expertly structured production.”

Filmed live in Baden-Baden by the veteran director Brian Large, Renée Fleming makes her debut in the role of Ariadne together with fellow key Strauss interpreters Sophie Koch and Christian Thielemann, following on from their Rosenkavalier triumph. Thielemann conducts the Staatskapelle Dresden, the orchestra to whom Strauss dedicated his Alpine Symphony and which premiered Feuersnot, Salome, Elektra, Der Rosenkavalier and Daphne. Fleming's voice might have been made for Ariadne and she achieved a great personal triumph in this production: “The chief glory of the evening was hearing Renée Fleming, the Straussian soprano par excellence, making her role debut as Ariadne… As the possessor of what is, possibly, the most beautiful soprano voice in the world, she put her vocal treasures in the service of an empathic, nuanced interpretation of the role. From the creamy top, through a rich, warm middle, to the bewitching, darker colours of her lower register, Fleming poured her magnificent sound into Strauss’s enchanting melodic arcs, animating the sadness, vulnerability, and desire of the bereft princess…” Frankfurter Allgemeine Zeitung