an Sky Diary

Born in Torino in 1967, Alfredo Franco was involved in non-classical music in his youth before taking up the classical guitar. He then undertook advanced studies in the historical and critical fields in the Department for Art, Music and Theatre of the University of Turin. He would later abandon concert activity as a performer and focus instead on composition. His now prolific classical guitar output has been well received by important interpreters such as Cristiano Porqueddu and increasingly programmed on the stage and in the studio.

Born in Torino in 1967, Alfredo Franco was involved in non-classical music in his youth before taking up the classical guitar. He then undertook advanced studies in the historical and critical fields in the Department for Art, Music and Theatre of the University of Turin. He would later abandon concert activity as a performer and focus instead on composition. His now prolific classical guitar output has been well received by important interpreters such as Cristiano Porqueddu and increasingly programmed on the stage and in the studio.

When Nor Elle's debut album "Phantom Of Life" was released in March 1998, it was still kept a secret, that the producer of the album was Norman Feller aka Terry Lee Brown Junior - the House DJ and producer from Darmstadt (near Frankfurt / Germany) who has had a severe impact on the development and rise of the genre Tech-House. Under the pseudonym Nor Elle, he continued his atmospherical explorations with the sophomore album "Slapstick" in September 2001. He stayed more than true to the Mole subheading "Listening Pearls" and employed structures from diverse musical backgrounds: stopping by at Dub and then straight again into Downbeat. It is especially due to the focus on Downbeat what makes Nor Elle's music so completely different from that of his much better known other alter ego…

Linda Fredriksson (they/them) shares their debut solo album "Juniper" on We Jazz Records, 29 Oct 2021. Linda (of Mopo and Superposition) has been working on the compositions heard on the album for several years, composing them mostly on guitar, keys and by singing.

All or nothing. For Laurence Jones, it's an easy choice. In recent times, the hotshot British bandleader has barely stopped for breath. There's been the release of 2014's all-conquering second album, Temptation. The triumphant Blues Caravan tour that saw him raise roofs across Europe. The auspicious nod to represent his country at this year's European Blues Challenge, and the prospect if his performance at the Albert Hall for Lead Belly Fest in June. At this juncture, a less passionate artist might cool their heels and count their royalties. No chance. Saviour of the British blues scene is not a position for part-timers, and in 2015, Laurence is back with his stunning third album, What's It Gonna Be.