Ana Moura is universally acknowledged as one of the finest fado singers of the present generation. Her plaintive, smoky vocals has garnereda loyal European following, including members of The Rolling Stones. Whether starkly declaiming or swirling into filigreed crescendos of emotion, Ana's burnished alto personifies fado's darkly sensual credo of wisdom born of pain, grace, and futility, and secual passion perpetually on simmer, despite repeated and increasingly bitter betrayals.
Para Além da Saudade is the third studio album bu Portuguese Fado singer Ana Moura. It was released in 2007 and published by World Village and Universal. Contains 15 tracks, with the opening theme, "Os Búzios," it became Ana Moura's most commercial single to date. The album met with favourable reviews. Rascunho gave the album a favourable review and said: "Leafing through the pages of the small book that accompanies this third record of original, never fail to jump out at you names like Faust, Amélia Muge, Patxi Andeon or Tim Reies - the latter surely the most unsuspecting strangers, but also not sounding that the oddness of names.
With an impressive cast of portuguese artists: Afonso Rodrigues (Sean Riley), Ana Moura, Aurea, António Zambujo, Camané, Catarina Salinas (Best Youth), Márcia, Marta Ren, Manuela Azevedo (Clã), Rita Redshoes, Rui Reininho (GNR) and David Fonseca himself all lend their voices to some of David Bowie’s most iconic songs. “Bowie 70” arrives in the year Bowie turns 70 and features the production and interpretation of all musical instruments by David Fonseca.
RVNG Intl's Frkwys is defined by the label as an "unrestricted series pairing contemporary artists with their influential predecessors…." This 11th volume places New York guitarist and songwriter Steve Gunn and veteran guitarist, electronicist, and experimentalist Mike Cooper in Lisbon. They spent ten days drinking wine in fado bars, and playing long informal sessions informed by fado – the Portuguese music whose roots can be traced to the early 19th century but are reported to date back much earlier, and was originally regarded as "the music of the poor." There are six improvisations here and one free-flowing cover: an expansive reading of the Mississippi Delta standard "Pony Blues" associated with Charley Patton.
Gifted with an expressive and powerful soprano, charting and platinum-selling fado singer Mariza is a superstar of the fado movement with a global following. Though she always works within fado's traditional boundaries, she takes chances by engaging elements of folk traditions from her native Mozambique, the southern reaches of her home in Portugal, Brazil, and even further afield: Her repertoire, while firmly rooted in classical and contemporary fado, has grown to include occasional Cape Verdean mornas, R&B and Motown classics, and any other music she holds dear at any given time. With the release of her debut album Fado Em Mim in 2001, her reputation in Portugal was equaled internationally.