Anat Fort

“Anat Fort has a charming way of dispensing pastoralism and an insightful way of lining that pastoralism with depth”, wrote Jim Macnie, in the Village Voice, adding that “her trio has the kind of poise that lets her move from terra firma to the stratosphere". In the Jewish Week, George Robinson observed that Fort “writes music that is a skillful mix of the romantic and the cerebral, like watching a flower open, an enthralling combination of geometry and color…” The Israeli pianist made a lot of friends with her widely-praised ECM debut “A Long Story” in 2007, and the new disc, with her regular working band, will make some more.

Since they started in the early 1970’s, ECM has been giving the world one excellent jazz piano disc after another–significant names include Keith Jarrett, Chick Corea, and Paul Bley, more recently Anat Fort, Bo Stenson, and now Julia Hulsmann. Leading a trio on her ECM debut, THE END OF SUMMER, Hulsman displays a graceful, muted, and melancholy air. In the manner of Stenson and Bley, Hulsmann expresses maximum emotion and mood using the fewest (but well-placed) notes. Unlike the aforementioned gentlemen however, Hulsmann favors almost folk-like, affable, and concise melodies. Her bassist and drummer seem subdued at times, but they’re constantly lending the tunes a sense of forward motion.