When an elderly man dies, some of his relatives gather to hear the reading of the will. When it is read by his attorney, the old man lets it be known how much he despised and loathed his worthless kin. As a result, his will is structured in such a way as to set up a dogfight between his potential heirs as to who will collect his fortune.
Edward Burra (1905-76) was one of the most elusive British artists of the 20th century. Long underrated, his reputation has been suddenly rehabilitated, with the first major retrospective of his work for 25 years taking place in 2011 and record-breaking prices being paid for his work at auction. In this film, the first serious documentary about Edward Burra made for television, leading art critic Andrew Graham-Dixon tells the remarkable story of his life. Crippled by a rare form of arthritis from an early age, Burra placed art at the centre of his life from his teenage years onwards. Although his illness meant that he would predominantly only be able to work in the physically undemanding medium of watercolour, he created unexpectedly monumental images peopled by the men and women who fascinated him. The follows Burra from his native town of Rye to the jazz clubs of prohibition-era New York, to the war-torn landscapes of the Spanish Civil War and back to England during the Blitz. It shows how Burra's increasingly disturbing and surreal work deepened and matured as he experienced at first hand some of the most tragic events of the century. Through letters and interviews with those who knew him, it paints an entertaining portrait of a true English eccentric.
A struggling couple are in dire straits and living paycheck to paycheck. When an opportunity to live rent-free in a 55 and older community arises, they are forced to disguise themselves as seniors and try to fake their way into living there. As they transform their lives, the residents are not easily fooled, and begin to suspect the young couple is exactly that, young. As their plight is witnessed by the many watching eyes of the neighborhood, the young couple learns that being a retired senior citizen is not as easy as it looks like.
A misguided attempt to dramatize the psychological triad formed by German philosopher Friedrich Nietzsche (Erland Josephson), his Jewish friend Paul Rees (Robert Powell), and a Russian girl named Lou Von Salome (Dominique Sanda), this overbearing drama fails mightily. Nietzsche is portrayed as a jealous sociopath who drives Rees to suicide, and director Liliana Cavani cannot resist including a drug-hallucination ballet about Good and Evil which approaches the excesses of her controversial Il Portiere di Notte in its melodramatic sexual hysteria.