Schuberts Die schöne Müllerin ist eine Bewährungsprobe für jeden Liedsänger. Der Südtiroler Bariton Andrè Schuen hat sich ihr gestellt und veröffentlicht den zeitlosen Liederzyklus als sein Debütalbum bei Deutsche Grammophon – gemeinsam mit dem Pianisten Daniel Heide.
This finely-focused and witty production of Jacques Offenbach’s Orphée aux Enfers with sets, costumes and lighting by the director Herbert Wernicke, is a visual and musical delight. The burlesque – conducted by Patrick Davin – is situated in a famous fin de siècle café and with a stupendous coup de théâtre the ensemble makes its entry into hell in a steam locomotive, which crashes through the ceiling. Elizabeth Vidal and Alexandru Badea in the main roles are supported energetically by the La Monnaie Symphony Orchestra and Chorus and Offenbach’s famous “can-can” is, as ever, an intoxicating highlight.
The Staatsoper Berlin is back in ist place of origin: Unter den Linden! After major renovations, it reopens with Schumann’s Scenes from Goethe’s Faust, conducted by Daniel Barenboim. Under the direction of Jürgen Flimm and in the sets of acclaimed German artist Markus Lüpertz, Schumann’s orchestral work is transformed in a captivating drama. In the glow of the renovated opera hall Daniel Barenboim and the Staatskapelle Berlin perform alongside soloists such as Roman Trekel, Elsa Dreisig and René Pape. Besides the vocal parts, the main characters Faust, Gretchen and Mephistopheles are embodied by the renowned actors André Jung, Meike Droste and Sven-Eric Bechtolf.
Satire is a funny game. Offenbach’s parody of Napoleonic society and its social injustices uses figures from Classical mythology to render the comedy and comment at one remove, a trick pioneered by Aristophanes and used frequently during the intervening space of (approximately) 2368 years. Orphée’s success led Napoleon himself to order a Command Performance of the piece 18 months later, which is rather like The Queen inviting the Sex Pistols to a Royal Variety Show…Peter Quantrill