"He is destinated to take my place one day" - Caruso
Renata Tebaldi (Pesaro, Italy, February 1, 1922 – San Marino, December 19, 2004) was an Italian lirico-spinto soprano, popular in the post-war period. Acclaimed as one of the most beloved opera singers of all time, she primarily focused on the verismo roles of the lyric and dramatic repertoires.
Mario Del Monaco (July 27, 1915 - October 16, 1982) was an Italian tenor and is regarded by his admirers as being one of the greatest dramatic tenors of the 20th Century.
Renata Tebaldi sings Arias & Duets album for sale by Renata Tebaldi was released Feb 13, 2007 on the Decca label. Renata Tebaldi sings Arias & Duets CD music is a 5-disc set with 54 songs.
Renata Tebaldi (1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period. Among the most beloved opera singers, she has been said to have possessed one of the most beautiful voices of the 20th century which was focused primarily on the verismo roles of the lyric and dramatic repertoires.
Mario Del Monaco (July 27, 1915 - October 16, 1982) was an Italian tenor and is regarded by his admirers as being one of the greatest dramatic tenors of the 20th Century.
Jonas Kaufmann returns to the Italian verismo tradition to sing arias that define opera's most passionate and vulnerable leading men. Kaufmann's international reputation is soaring as, going from strength to strength, he delivers consistently thrilling performances. The onyx-dark beauty of his tone and the refinement and unexpected insights of his delivery mark Jonas Kaufmann a poet of tenors. Timed to coincide with his role debut as Maurizio in Adriana Lecouvreur at Covent Garden opposite Angela Gheorghiu, this disc includes excerpts from the Cilea work that helped put Caruso on the map. This album also entices with rarities from Zandonai's dramatic Giulietta e Romeo and Puccini's Le Villi. Supporting Jonas Kaufmann is Italy's leading symphonic orchestra, the Accademia Nazionale di Santa Cecilia, under its dynamic music director Antonio Pappano. Both maestro and orchestra are utterly at home in this repertoire.
Beniamino Gigli was the foremost Italian tenor of the 1920s through the 1940s, possessed of a smooth, lush voice with a lyric sweetness often described as "honeyed." He became a Metropolitan Opera star, singing 28 roles there, and was a legitimate heir to the tenor Enrico Caruso, who had died at the beginning of the 1920s. No one person could fill Caruso's shoes, but it was widely conceded that Gigli inherited his lyrical and romantic parts, while Giovanni Martinelli took over the more heroic roles. Gigli was also one of the most-beloved performers of Italian song, with a special gift for the traditional Neapolitan repertoire. His singing was heavily mannered by modern standards, characterized by sobs, catches, and portamenti, but it had an inherent beauty and sincerity that are still easy to appreciate. Although an even more stylized actor than singer, Gigli had a successful film career, appearing in almost 20 films.