In his brief life, cornetist Bix Beiderbecke cultivated a unique and personal 'voice. ' His pioneering use of introspection and understatement, the boldness of his harmonic language, his tone itself, all would echo far downstream in the course of jazz history.
"iPop" (written & produced by dance duo Shelter) is Andy Bell’s (Erasure) 3rd solo album after Manhattan Clique's "Electric Blue" and Pascal Gabriel's "Non-Stop". The album was written and recorded by Shelter - and released on their Ministry of Pop label - but includes two tracks (‘Stars’ and ‘Electrostatic’) which were written in collaboration with Andy Bell, and one track, "Lift Me Up", which also features Vince Clarke (Erasure, Yazoo, Depeche Mode).
On paper, it's unlikely that one of rock's greatest singers ever, who fronted one of the biggest mainstream bands of the 1970s and 1980s, would take a detour into the world of Christian rock. But that's just what Lou Gramm did in 2009 with his new group and its self-titled album, The Lou Gramm Band. It's his first "solo" effort since 1989's Long Hard Look. The album rocks convincingly, and the lyrics vividly reflect his born-again Christian faith. It's a miracle that the ex-Foreigner vocalist lived to reach this point. After surviving surgery to remove a benign brain tumor in 1997, he struggled to regain his health and his voice. He left Foreigner for the second time in 2002 and eased back into performing with his own band, which now includes two of his brothers, bass guitarist Richard Gramm and drummer Ben Gramm, as well as guitarist Don Mancuso and keyboardist Andy Knoll.
Those who liked the moodier, more atmospheric material on the last Mark Lanegan Band offering, 2004's Bubblegum, will find much to enjoy on Blues Funeral – an album that has little to do with blues as a musical form. Lanegan has been a busy man since Bubblegum. In the nearly eight ensuing years, he's issued three records with Isobel Campbell, joined Greg Dulli in the Gutter Twins, guested on albums by the Twilight Singers and UNKLE, and was the lead vocalist on most of the last two Soulsavers offerings. Produced by Eleven guitarist Alain Johannes (who also fulfills that role here as well as playing bass, keyboards, and percussion), Blues Funeral finds Lanegan in a musically ambitious place.
Though perhaps best (or at least better) known for his work with the Police, guitarist Andy Summers seems to be doing rather well for himself. He may not be filling arenas and attracting screaming teenage girls, but their mothers can scream pretty loud as well, and as it is to them that Summers now appears to be playing, his maturity and ability to look forward work in his favor. Backed by bassist Tony Levin and drummer Gregg Bissonette (except on "Big Thing," which features the touring band of Jerry Watts on basses and Bernie Dresel on cymbal-laden drum set), Summers works well as a frontman. In fact, the lack of single-named eco-conscious smoothies and relatives of famous composers allows Summers to spread out and explore his music…
In the footsteps of her last (very) big band effort—which, despite its competence isn’t my favorite—Carla Bley returns with a masterstroke of the genre. It’s all here: catchy titles, musicians who share a profound cohesion, and tunes to unpack with joy. “On the Stage in Cages” sets the tone by jumping into the woodwork and rearranging every whorl with confidence. Bley’s band, holding firm at 18 members, swings with renewed purpose, as if waking up from the slumber of hiatus in a sublime return to form.
Two stars of international jazz, an amazing orchestra, a truly fresh repertoire and outstanding arrangements developed for a unique event to take place: the meeting of Antonio Sanchez on drums, Vince Mendoza as conductor and arranger and the WDR Big Band. Two invaluable CDs packed with everything you may dream)when you are about to listen to such a stellar Big Band that is conducted by a genius like Mendoza and plays music by an undisputed giant like Sanchez.