Andy Summers

Many a guitar fan would have predicted that a summit between legendary guitarists Andy Summers (the Police) and Robert Fripp (King Crimson) would result in a guitar solofest. But the music on their first collaboration together, I Advance Masked, stresses guitar textures and moods over indulgent soloing. Although the recording sessions weren't entirely enjoyable for Summers (who was experiencing marital problems at the time), some very beautiful music can be found on the resulting album. The music for the track "Girl on a Swing" does an excellent job of conveying the song's title in one's mind, and the duo's guitars weave wonderful polyrhythmic guitar lines throughout "China - Yellow Leader." "The Truth of Skies" is an atmospheric piece, created by a wash of keyboard sounds and guitar dissonance, while "New Marimba" would have sounded right at home on an early-'80s King Crimson album…

Many a guitar fan would have predicted that a summit between legendary guitarists Andy Summers (the Police) and Robert Fripp (King Crimson) would result in a guitar solofest. But the music on their first collaboration together, I Advance Masked, stresses guitar textures and moods over indulgent soloing. Although the recording sessions weren't entirely enjoyable for Summers (who was experiencing marital problems at the time), some very beautiful music can be found on the resulting album. The music for the track "Girl on a Swing" does an excellent job of conveying the song's title in one's mind, and the duo's guitars weave wonderful polyrhythmic guitar lines throughout "China – Yellow Leader." "The Truth of Skies" is an atmospheric piece, created by a wash of keyboard sounds and guitar dissonance, while "New Marimba" would have sounded right at home on an early-'80s King Crimson album. I Advance Masked has a dreamlike quality to it, and is definitely not typical rock music. It's highly recommended to fans of these two great and original guitarists.

On his second consecutive solo album of predominantly instrumental music, former Police guitarist Andy Summers paints a richly textured musical portrait that mixes fusion jazz, Latin and various World Beat elements into an engaging whole.
The onetime guitar-slinger for the New Animals and the Kevin Coyne Band is accompanied by a crack group that includes Alan Holdsworth Band drummer Chad Wackerman, ex-King Crimson bassist Tony Levin and short-lived Mahavishnu Orchestra keyboardist Mitchell Forman. They in turn are joined on various tracks by percussionists Manola Badrena and Mino Cinelu, former Steps Ahead malletman Mike Manieri and Miles Davis Band bass veteran Victor Bailey…

It is not often that a Rock musician decides to cross over into much more advanced musical environment, such as Jazz or World Music and does so completely and seriously. Police guitarist Andy Summers, obviously known to most Rock listeners on this planet, is one of those musicians, who changed their path and successfully developed a "new" career. This album, which is the second guitar duo recording with the Brazilian (born in Argentina) virtuoso guitarist Victor Biglione, presents Summers as a monster acoustic guitar player and a most sensitive performer. The duo performs material ranging from Jazz standards to World Music pieces, all of which were composed by great Brazilian musicians (Hermeto Pascoal, Tom Jobim and others) and all of which is absolutely brilliant. This is guitar heaven!

During his post-Police musical career, guitarist Andy Summers has compiled a series of altogether distinctive, fusion-based solo outings marked by his shrewd compositional pen and laudable technical acumen. Moreover, Summers displays a somewhat lyrically driven guitar sound, teeming with animated lines, a rubato-like methodology, and bone-crushing crunch chords, as evidenced on this 1995 release. Here, the artist garners strong support from ex-Cream drummer Ginger Baker, along with notable session musicians Mitchell Forman (keyboards), Jerry Watts (bass), and Greg Bissonette (drums). More importantly, the guitarist integrates strings (the Trouserfly String Quartet) into this rather vibrant mix, consisting of Afro-Cuban rhythms, wailing lead soloing, East Indian modalities, and more…