Anna de Simone

For his production of “ Don Giovanni“ at the Vienna International Festival (Wiener Festwochen), Roberto de Simone does not want to follow in the footsteps of other directors who modernise the design and add something that did not exist in Mozart’s original. He sends Don Giovanni on a journey through time to revisit the centuries that the character lived through starting with the original costume of the 16th century and ending in the 19th century. Don Giovanni changes garments but is still the same legend and archetype. Something similar can be said for his accompanying antagonist, Donna Elvira.

A collection with songs from the sixties to the eighties. "De Pre Historie Oldies Collection" based on the BRT TV- and radio shows "De Pre Historie". Each CD includes songs from one particular year, this lot includes the years 1961 until 1989.
With songs from Nat King Cole Frankie Laine, Ray Charles, The Platters Roy Orbison, Chuck Berry, Cher, Tom Jones, The Bee Gees, Roxy Music, Abba, Queen, David Bowie and many more.

A collection with songs from the sixties to the eighties. "De Pre Historie Oldies Collection" based on the BRT TV- and radio shows "De Pre Historie". Each CD includes songs from one particular year, this lot includes the years 1961 until 1989.
With songs from Nat King Cole Frankie Laine, Ray Charles, The Platters Roy Orbison, Chuck Berry, Cher, Tom Jones, The Bee Gees, Roxy Music, Abba, Queen, David Bowie and many more.

Andromeda Liberata is a serenata, or two-part ceremonial cantata with a hint of allegorical storyline, given in Venice on September 18, 1726, in honor of visiting Cardinal Pietro Ottoboni. Most early eighteenth century works of this type are so courtly, genteel, and refined that often their common destiny is to languish and gather dust on the shelves of some archive rather than be promoted and performed. Andromeda Liberata is an exception in that parts of it are traceable to the pen of one Antonio Vivaldi, whose varied and outstanding contribution to other types of works, including opera, are well noted elsewhere. Vivaldi, however, is not solely responsible for the score; although the musicological jury is still out on many sections contained within Andromeda Liberata, among the suspect roster may be found other prominent names (Tomaso Albinoni, Nicola Porpora, and Antonio Lotti) and some lesser ones (Giovanni Porta and Antonino Biffi).