Drift Code is the second album from Rustin Man (aka Paul Webb), following his 2002 collaboration with Beth Gibbons. Recorded at his Essex home, a converted barn three miles from the nearest village, the record has a warm, wise kind of euphoria to it, coupled with an acute sense of storytelling and surreality.
The familiar declaration that Enrique Granados’s suite Goyescas—Los Majos enamorados (The Majos in Love) and Isaac Albeniz’s Iberia form the twin peaks of Spanish keyboard music is accurate as far as it goes, but it does not go far. The good intentions behind this declaration ultimately parochialize, if not to say diminish, Goyescas as well as Iberia by qualifying them in relation to other piano works by composers from the Iberian peninsula, not in relation to the varied topographies of all piano works. From an international or cosmopolitan perspective, the Goyescas suite may be suituated between Modest Mussorgsky’s Pictures at an Exhibition (1874), a memorial to the work of the artist Victor Hartmann, and Maurice Ravel’s Le Tombeau de Couperin (1917), a memorial to both Couperin “le Grand” (in particular, the French Baroque keyboard suite) and friends of the composer who died in the Great War.
From West Side Story and Gypsy to Into the Woods and The Frogs , here's the first set to cross the whole career of Broadway's foremost living composer/lyricist! Along the way you'll dig into a treasure chest of unreleased tracks (33 including 12 performed by Sondheim, pieces from eight un-produced shows and films, songs cut from Company, Into the Woods, A Little Night Music and more) plus Everything's Coming Up Roses Ethel Merman; Comedy Tonight Zero Mostel; A Parade in Town Angela Lansbury; (If You Can Find Me) I'm Here Anthony Perkins; I'm Still Here Carol Burnett; Children Will Listen Bernadette Peters; Finishing the Hat Mandy Patinkin, and more.