Ansermet Scheherazade

There were occasions during the three decades when the LP record ruled supreme - from the 1950s to the 1970s - when the chemistry between an orchestra, its conductor and their record company combined to work a magic that the commitment of long-term recording contracts quite often made possible. Karajan and the Philharmonia; Ansermet and the Suisse Romande; Dorati and the Minneapolis; Münch and the Boston Symphony, Cluytens and the Paris Conservatoire and Previn and the London Symphony are all prime examples of such collaborations. All of these produced recorded performances that are as fine today as they ever were and are all well-represented in the current CD catalogues. Until now there has been one successful recording collaboration that seems almost to have slipped under the radar: the Pittsburgh Symphony, William Steinberg and the Capitol Records producer, Richard C. Jones.

There were occasions during the three decades when the LP record ruled supreme - from the 1950s to the 1970s - when the chemistry between an orchestra, its conductor and their record company combined to work a magic that the commitment of long-term recording contracts quite often made possible. Karajan and the Philharmonia; Ansermet and the Suisse Romande; Dorati and the Minneapolis; Münch and the Boston Symphony, Cluytens and the Paris Conservatoire and Previn and the London Symphony are all prime examples of such collaborations. All of these produced recorded performances that are as fine today as they ever were and are all well-represented in the current CD catalogues. Until now there has been one successful recording collaboration that seems almost to have slipped under the radar: the Pittsburgh Symphony, William Steinberg and the Capitol Records producer, Richard C. Jones.

There were occasions during the three decades when the LP record ruled supreme - from the 1950s to the 1970s - when the chemistry between an orchestra, its conductor and their record company combined to work a magic that the commitment of long-term recording contracts quite often made possible. Karajan and the Philharmonia; Ansermet and the Suisse Romande; Dorati and the Minneapolis; Münch and the Boston Symphony, Cluytens and the Paris Conservatoire and Previn and the London Symphony are all prime examples of such collaborations. All of these produced recorded performances that are as fine today as they ever were and are all well-represented in the current CD catalogues. Until now there has been one successful recording collaboration that seems almost to have slipped under the radar: the Pittsburgh Symphony, William Steinberg and the Capitol Records producer, Richard C. Jones.

There were occasions during the three decades when the LP record ruled supreme - from the 1950s to the 1970s - when the chemistry between an orchestra, its conductor and their record company combined to work a magic that the commitment of long-term recording contracts quite often made possible. Karajan and the Philharmonia; Ansermet and the Suisse Romande; Dorati and the Minneapolis; Münch and the Boston Symphony, Cluytens and the Paris Conservatoire and Previn and the London Symphony are all prime examples of such collaborations. All of these produced recorded performances that are as fine today as they ever were and are all well-represented in the current CD catalogues. Until now there has been one successful recording collaboration that seems almost to have slipped under the radar: the Pittsburgh Symphony, William Steinberg and the Capitol Records producer, Richard C. Jones.