George Brigman sounded like a man out of time on his rare mid-'70s debut, Jungle Rot (though it's not so rare anymore, having been reissued both legitimately and illegitimately on several labels). Unlike the oncoming punks and new wavers, he had an obvious affinity as a keeper of the flame of classic rock forms, most particularly the late-'60s/early-'70s blues-rock of British bands such as the Groundhogs. Yet if this was blues-rock, it was blues-rock the D.I.Y. way, recorded on his own with a mass of hazy distorted guitar lines…
Black Country, New Road return with the news that their second album, “Ants From Up There”, will land on February 4th on Ninja Tune. Following on almost exactly a year to the day from the release of their acclaimed debut “For the first time”, the band have harnessed the momentum from that record and run full pelt into their second, with “Ants From Up There” managing to strike a skilful balance between feeling like a bold stylistic overhaul of what came before, as well as a natural progression.
There are some that will scoff at the very idea of a comprehensive, three-disc box set overview of Adam Ant's career, dismissing him as nothing more than a new wave fad. Let 'em laugh, since Antbox proves that he, along with trusty guitarist sidekick Marco Pirroni, was a post-punk heavyweight, adept at creating claustrophobic dark angular tunes and giddy glam revivals with equal vigor…
Back in the ’80s, Adam Ant was a giant UK Pop star with ten top charting singles in the UK between 1980 and 1983. His second album, Kings Of The Wild Frontier, released in 1980 helped to start that historical run for Adam Ant. Curated and remastered by Adam Ant, this new Legacy edition includes the original 12 track UK album, B sides, previously unreleased studio demos and rough cuts, a previously unissued live recording and rarities all fully remastered from original tape by Adam Ant.
This 4th full-length album by the legendary Congolese collective marks a new milestone in their already rich history, as the band have incorporated their own approach to electronic music into their new compositions.
The title “Ants, Bees and Butterflies” may seem descriptive, but there are enough elements here to puzzle you. First of all, the Modular String Trio is not a trio, but a quartet. You can either accept it as an arithmetic incongruence or understand what’s in stake: that there’s a real string trio in this band, with a violin (Sergiy Okhrimchuck), a cello (Robert Jedrzejewski) and a double bass (Jacek Mazurkiewicz) defining the procedures, and the complement of a modular synthesizer (by Lukasz Kacperczyk), reinforcing the electroacoustic parameters introduced by Mazurkiewicz (the mentor of this project) when he electronically processes his instrument in real time. Based in Poland and Ukraine, these musicians could be from any other part of the world where the definition “chamber music of the modern day” means that improvisation can be a creative method and that the use of analog and digital technology a tool so obvious than the secular ones adopted in this recording – the bowed strings.