Anyone But You

“The health battle is the battle that all Australians are enlisted in as we fight this virus.” Prime Minister Scott Morrison, 22 March. The Prime Minister has effectively placed Australia on a war footing to fight the coronavirus pandemic. For some, the realisation of the deadly danger posed by COVID 19 is only now sinking in. Others have been sounding the alarm for weeks. “What doctors understand, probably better than anyone, is you can't dodge the truth.” Senior doctor. On Monday, Four Corners investigates how coronavirus spread to Australia, laying the groundwork for the crisis that is now unfolding.

Explore the world of the seemingly impossible with the all-new series SCI FI SCIENCE. Hosted by internationally-renowned physicist and co-founder of string field theory, Dr. Michio Kaku, this series poses the idea that science fiction may not be so far from science fact. Examine topics that currently seem so far outďż˝ of the realm of possibility, such as invisibility cloaks, teleportation, time travel and more. Kaku uses discussion of speculative technologies to introduce topics of fundamental physics to the reader.

Across nine time zones and through all extremes of weather, the resourceful Jonathan Dimbleby makes an epic journey from one end of Russia to the other, disproving clichs and revelling in the unpredictable.

This series looks at the many people who chose to collaborate with the Nazis. It is at times, uncomfortable viewing, but it's also totally absorbing too. It’s a simple question. “How could they have done it?” How could anyone have collaborated with the Nazis? And yet so many did. From Pierre Laval in France to Chaim Rumkowski, who ran the Jewish administration in the Lodz ghetto, from Quisling to the IRA, from the 1600 Belgians who served in the SS to the Grand Mufti of Jerusalem - all worked with the Nazis.

The Holocaust is the term generally used to describe the genocide of approximately six million European Jews during World War II, a program of systematic state-sponsored extermination by Nazi Germany. Some scholars maintain that the definition of the Holocaust should also include the Nazis’ systematic murder of millions of people in other groups, including ethnic Poles, Romani, Soviet civilians, prisoners of war, people with disabilities, homosexuals, Jehovah’s Witnesses, and other political and religious opponents.

Ancient Impossible reveals how many of today’s technological achievements were actually developed centuries ago. Colossal monuments, impossible feats of engineering and technologies so precise they defy reinvention–the ancient world was far more advanced than we ever imagined. We’ll travel through history to reveal a radically different picture of the past, with innovations so far ahead of their time; they’re still in use today. New science uncovers a lost world more like our own than we ever suspected, and reveals how modern technology has its blueprint in the ancient world.

Witness the tragic fall of the great Indian nations. Share the tales of the "conquering" of the American West from the Native American perspective.

An extraordinary collection of award-winning animated short films by Russia's world-renowned directors and artists. Digitally restored from 35mm materials newly printed by the National Film Archive of Russia, these are the highly personal animated short films from the Soyuzmultfilm Studio.
Winners of the top prizes at Annecy, Cannes, Colombo, Delhi, Espinho, Grijon, Hiroshima, Kiev, Krakow, Lille, London, Mamaia, Melbourne, Moscow, New York, Oberhausen, Odense, Ottawa, Stuttgart, Sydney, Tampere, Tours, Venice, and Zagreb. Presented in anthology format for the first time.

Gabrielle (Helene Hallier), an ambitious but innocent would-be young chorine, trumps a music hall publicity stunt to become the new Parisian nightclub Cinderella. But this lighter-than-champagne-bubbles story is only a pretext for LA REVUE DES REVUES's white-hot, non-stop procession of outrageously and scantily attired exotic dancers, showgirls, and acrobats including the Tiller¹s Follies Girls, Ruth Zackey and the Hoffmann Girls, and danseuse russe Lila Nikolska. But it's Josephine Baker, "the high priestess of primitivism" (J. Hoberman Village Voice), who triumphs in two show stopping numbers in which "her clownish backfield-in-motion Charleston shimmy is unlike anything else in the movie and perhaps unlike anything anyone ever did."