BOARDING HOUSE REACH is the new solo album from Jack White, and is a testament to the breadth of the artist's creative power and his bold artistic ambition. This new material finds Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation). The album explores a remarkable range of sonic terrain – crunching rock 'n' roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country – all remapped and born anew to fit White's matchless vision and sense of restless experimentation.
The cast in this performance, recorded live on November 18, 2004, is as excellent as the names would indicate: Patrizia Ciofi, Roberto Saccà and Dmitri Hvorostovsky.
Hvorostovsky, who has been singing Germont since 2002, continues to surpass himself in this role every time one hears him. Though difficult to imagine Hvorostovsky as an elder man, he nonetheless gives credence to the role of Germont through his straightforward, yet elegant style of singing and acting. Hvorostvsky’s subtle coloring of his voice, his innate sense of drama and musicianship give him the edge over any other baritone available–be he younger or older. In Act II, when Germont confronts Violetta, Hvorostovsky is vocally stern without being offensive to his son’s mistress, and later in the scene when Germont lets his guard down, the singer is able to project a comforting fatherly image to the woman who is “the ruin” of Alfredo and his family… Daniel Pardo