Apocalypse Now

Slowly-gripping, bleak study of electronic surveillance and the threat of new technologies, examined through the private, internalized life of Harry Caul, a lonely and detached expert "bugger". The conspiracy thriller is an effective character study that exposes the emerging conscience of an estranged eavesdropper.

Harry Caul, un especialista en vigilancia y sistemas de seguridad cuyo prestigio es reconocido por sus colegas de todo el país, recibe el encargo por parte de un magnate de investigar a su joven esposa. Deberá escuchar sus conversaciones con uno de sus empleados del que parece estar enamorada. La misión, para un experto de su categoría, resulta a primera vista inexplicable ya que la pareja no ofrece ningún interés fuera de lo corriente. Sin embargo, cuando Harry da por finalizado su trabajo, advierte que algo extraño se oculta tras la banalidad que ha estado investigando.

Visions of Light is not just for film buffs. In fact, if the presentation of the Oscar for Best Cinematography is your cue to take a bathroom break from the Academy Awards, then this exhilarating documentary will help you see movies in a whole new light. Named Best Documentary by the National Society of Film Critics as well as several film-critic associations, Visions of Light traces the history and illuminates the art of cinematography. It profiles the cameramen who pioneered the visual language of cinema (such as D.W. Griffith’s cameraman Billy Bitzer and Gregg Toland, who shot Orson Welles’s Citizen Kane), as well as the masters they influenced, among them Nestor Alemendros (Days of Heaven), Vilmos Zsigmond (McCabe and Mrs. Miller), and Gordon Willis, the affectionately nicknamed “Prince of Darkness” who shot the Godfather films.

In in 16th century, the ruthless and insane Aguirre leads a Spanish expedition in search of El Dorado.

Future film-making legend Francis Ford Coppola makes his big-screen directorial debut with this cult horror classic, available for the first time in spectacular High-Definition Blu-Ray. Following the abrupt death of her husband from a heart attack, the scheming Louise Haloran (Luanda Anders) travels to her in-laws estate in Ireland, only to find herself trapped in a creepy, decrepit castle with her ex-husband s demented family. Upon arrival, she is introduced to a pair of maladjusted brothers (William Campbell, Bart Patton) and a distraught mother-in-law (Eithne Dunn), still grieving for the daughter she lost in a drowning accident many years earlier. When a mysterious axe-wielding psychopath enters the fray, leaving blood-spattered corpses in his wake, the family s doctor (Patrick Magee) takes it upon himself to try to get to the bottom of things–before it s too late!

In September 1971, a platoon of recruits arrives in Ft. Polk, LA, for infantry training before leaving for war. The final week takes place in Tigerland, a swamp similar to Vietnam. Jim Paxton has enlisted; he wants to experience everything and write books later. He befriends Roland Bozz, a cool Texan with a gift for getting into trouble and for helping misfits get discharges. At least one sociopath in the platoon hates Bozz, even as the sergeants grudgingly recognize his leadership abilities. As the platoon heads into its week in Tigerland, Paxton's body gives out, Bozz makes plans to go AWOL, and the sociopath gets hold of live ammo. Is the Louisiana swamp more dangerous than the DMZ?

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes, whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias, who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape.

A two-segment look at the effect of the military mindset and war itself on Vietnam era Marines. The first half follows a group of recruits in basic training under the command of the punishing Sgt. Hartman. The second half shows one of those recruits, Joker, covering the war as a correspondent for Stars and Stripes, focusing on the Tet offensive.

Danzig, Germany, 1924. Oskar Matzerath is born with an intellect beyond his infancy. As he witnesses the hypocrisy of adulthood and the irresponsibility of society, Oskar rejects both, and, at his third birthday, refuses to grow older. Caught in a baffling state of perpetual childhood, Oskar lashes out at all he surveys with piercing screams and frantic poundings on his tin drum, while the unheeding, chaotic world marches onward to the madness and folly of World War II. Honored with the Palme d’Or at the 1979 Cannes Film Festival and the 1979 Academy Award for Best Foreign Language film, Volker Schlöndorff’s The Tin Drum (Die Blechtrommel) is a truly visionary adaptation of Nobel laureate Günter Grass’s acclaimed novel, an unforgettable fantasia of surreal imagery, striking eroticism, and unflinching satire.

The six-film Herzog/Kinski boxed set is a sleek compilation of a visionary cinematic collaboration. The history of cinema is dotted with great directors who have found an actor whose face, voice, and style capture that director's point of view: Josef Von Sternberg and Marlene Dietrich; John Ford and John Wayne; Martin Scorsese and Robert DeNiro. In 1972, the German director Werner Herzog cast Polish actor Klaus Kinski in Aguirre, the Wrath of God–the result was perhaps the definitive film for both. Kinski had previously made almost 100 films, but his malevolent role–as a Spanish conquistador obsessed with finding gold–shot him into international stardom.