Apocalypse

Nukes recovered from a sunken U.S. submarine have been planted in four largest cities of the world by a terrorist Jaffad Ben Zaydi. A code of fourteen numbers and a single phone call can trigger them any moment - this is the Apocalypse Code. An agent of the Russian FSB Darya Vyacheslavovna (Anastasya Zavorotnyuk) infiltrates the terrorist organization and vitnesses the killing of Jaffad, who at his last breath tells her that the code has been divided to three trusted persons. Jaffad’s partner “The Executioner” /Palach/ is determined to find them and trigger the nukes, so is Darya - to prevent it. They both begin their search for the code around the world, whereas one cannot harm another - they both have parts of it which the other doesn’t.

Apocalypse Now is one of the great films. Photography, score, acting and direction are without flaw. Coppola never scaled such heights subsequently. It seems the sheer effort to produce such a work extinguished much of his creative spark. Stravinsky frightened himself with the awesome force of his Sacre Du Printemps, and changed directions after, never to match this achievement; Richard Strauss fled into Neo-romanticism after writing the disturbing Elektra and Salome, unable to equal their innovation and power. But these seminal works (Le Sacre, Salome, Elektra, Apocalypse Now) remain as peaks of Art. Like the great classics of literature, each viewing of this film reveals deeper levels of meaning. It's stupid to even apply an arbitrary rating to this work. It would be like writing, "Brothers Karamazov gets 5 out of 5." It cannot be rated.

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