Ain't Talkin' 'bout Dub is a song by Apollo 440 from the album Electro Glide in Blue released in 1997. It samples Ain't Talkin' 'bout Love by Van Halen and reached #7 in the UK Singles Chart and #4 on the Norwegian chart, VG-lista. The opening verses ("Lets go back to the rock […] And see it at four-forty") are a play on words based on an exact quote (and actual sample) taken from the 1971 movie The Andromeda Strain. In the movie, this line referred to a piece of space rock and the magnification factor at which the characters were examining it with the aid of a microscope.
No need to worry about Apollo 440 turning intelligent in the wake of electronica's growing experimental leanings. Their third album overall, Getting High on Your Own Supply is a ride through sampladelic breakbeat that's just as mad as 1997's Electro Glide in Blue. Seemingly oblivious that even their youngest listeners could spot their samples, Apollo 440 pillage Led Zeppelin and Status Quo (among others), blending styles from trance, ska, hip-hop, dub, and disco with a tossed-off feel that's quite charming. From the breakout single "Stop the Rock" to the unabashed, old-school silliness of "Cold Rock the Mic" and a remix of last year's "Lost in Space" theme which fuses black metal with jungle breakbeats, Getting High on Your Own Supply is another dumb but infectious party album to file alongside Fatboy Slim's You've Come a Long Way, Baby.
….Their third album overall, Getting High on Your Own Supply is a ride through sampladelic breakbeat that's just as mad as 1997's Electro Glide in Blue. Seemingly oblivious that even their youngest listeners could spot their samples, Apollo 440 pillage Led Zeppelin and Status Quo (among others), blending styles from trance, ska, hip-hop, dub, and disco with a tossed-off feel that's quite charming…
"Krupa" is a 1996 song by the British techno/rock band Apollo 440. The song is a homage to the Polish-American drummer Gene Krupa and is almost completely instrumental.
For over a decade now, legendary film composer Ennio Morricone has resisted the dozens of invitations from labels and artists to remix his original work - until now. Somehow the folks at Reprise were either diplomatic enough with a satisfactory aesthetic approach or had a big enough checkbook to satisfy the artist's concerns (and this writer is willing to believe it was the former). A varied cast of pioneers from electronica's vast frontier was assembled by compilation producers Stefan Rambow and Norman Rudnitzky. The first two cuts are the most obvious. There's Apollo 440's "The Man With the Harmonica," mixed out of the soundtrack for Once Upon a Time in the West. There are layers and layers of keyboards extrapolating the melody - and parts of it - with dub effects and large, deep drums and sequencers…