Appenzeller

At Christmas, vocal music is particularly close to us. What is it that makes this music so appealing? Is it just the memories and traditions associated with it, or do Christmas carols actually sound radically different in their basic mood? For centuries, Christmas has inspired composers to write delightful works, many of which have been forgotten or never performed.

The music, performed by the Egidius Quartet & and College, take you to a time where 'peace and quiet were still very common' It is refreshing for us people to experience that music can lift you to unknown heights and experience that late how healing music can be!

Jérôme Lejeune continues his History of Music series with this boxed set devoted to the Renaissance. The next volume in the series after Flemish Polyphony (RIC 102), this set explores the music of the 16th century from Josquin Desprez to Roland de Lassus. After all of the various turnings that music took during the Middle Ages, the music of the Renaissance seems to be a first step towards a common European musical style. Josquin Desprez’s example was followed by every composer in every part of Europe and in every musical genre, including the Mass setting, the motet and all of the various new types of solo song. Instrumental music was also to develop considerably from the beginning of the 16th century onwards.

Jordi Savall - Erasmus von Rotterdam: Eloge de la Folie (2013) {6CD Box Set Alia Vox AVSA9895A+F}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.06 Gb | MP3 @320 -> 1.00 Gb
Artwork @ 300 dpi (jpg) -> 22 Mb | 5% repair rar
© 2013 Alia Vox | AVSA9895A+F
Classical / Renaissance / Vocal Music / Chamber Music

This new project is a Tribute to Erasmus (1466-1536), a Dutch Renaissance scholar, known as the 'Prince of the Humanists'. Using humanist techniques for working on texts, he prepared important new Latin and Greek editions of the New Testament and also wrote 'In Praise of Folly', 'Handbook of a Christian Knight' and many other works. Erasmus lived against the backdrop of the growing European religious Reformation; but while he was critical of the abuses within the Church and called for reform, he kept his distance from Luther and Melancthon and continued to recognise the authority of the Pope. His middle of the road approach disappointed and even angered scholars in both camps. Jordi Savall regards him as a model of wisdom and tolerance.