Architect 2025

This recital offers a fine mix of Bach’s organ works, at larger and smaller scales, on the renowned historical instrument made by Alsatian organ builder Johann Andreas Silbermann of Strasbourg, a master of French baroque organ construction. It follows in a distinguished line of recordings of Bach made in the extraordinary acoustic of the Arlesheim Cathedral, by such luminaries as Walter Kraft, Karl Richter and Lionel Rogg.

José de Nebra was to Spanish opera what Rameau was to French opera, both pioneer and architect of the revival of the genre in the eighteenth century. His pastoral melodrama ‘Venus y Adonis’ is recorded here for the first time almost 300 years after its premiere, by Alberto Miguélez Rouco and his ensemble Los Elementos.The result of a meticulous reconstruction by the conductor, a specialist in the composer, this recording allows us to rediscover both the splendour of Nebra's work and the singularities of the exuberant Hispanic Baroque, which is still too little known. Sung exclusively by women, ‘Venus y Adonis’ blends Italian style and traditional Spanish turns of phrase (the aria ‘Calquiera mozuela’, which combines fandango, zarambeque and castanets), with numerous borrowings from zarzuela. Based on one of mythology's most illustrious subjects, the work juxtaposes comedy (the duet of “chickens”) and seriousness, with more sensitive arias, such as the moving farewell aria by Adonis (Natalie Pérez).

Swiss vocal phenomenon Andreas Schaerer is celebrated for his unparalleled artistry—a singer, instrumentalist, and storyteller in one. Described as “the Germanic Bobby McFerrin with the flow of a Shakespearean actor” (L’Alsace), his performances are electrifying, his voice an instrument of limitless possibility. In early 2024, the French Académie du Jazz named him European Artist of the Year, a testament to his groundbreaking contributions to music.

Swiss vocal phenomenon Andreas Schaerer is celebrated for his unparalleled artistry—a singer, instrumentalist, and storyteller in one. Described as “the Germanic Bobby McFerrin with the flow of a Shakespearean actor” (L’Alsace), his performances are electrifying, his voice an instrument of limitless possibility. In early 2024, the French Académie du Jazz named him European Artist of the Year, a testament to his groundbreaking contributions to music.

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