This 1961 session is less well known than many of the other Jazz Messengers' Blue Note dates from the same period. THE WICTH DOCTOR is, however, a strong outing by the legendary group in its most prolific period. Featuring the classic lineup of Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt, Blakey and his Messengers groove hard on cuts like Morgan's title track and the rhythmic "Afrique." Shorter and Morgan make a grand team as always on tasty arrangements like Shorter's "Those Who Sit and Wait," working together on the melody and then blowing tremendously powerful solos.
This rare session, finally released in 1999, represents some of the most powerful drumming by Art Blakey, Roy Haynes, and Philly Joe Jones. Gathered together under Blakey's leadership, these three legendary drummers, conga master Ray Barretto, and Lee Morgan, Bobby Timmons, and Jymie Merritt from the Jazz Messengers all converge into a stunning ensemble unlike any that had come before. Each piece not only offers swinging grooves and dynamic interaction between the musicians, but Blakey, Haynes, Jones, and Barretto each take turns propelling the group and soloing in his own signature way.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. One of our favorite albums ever from Art Blakey and the Jazz Messengers – but a set that was unreleased by Blue Note for quite a few years! The set's one of two gems the group recorded in 1961, but which were held back until the end of the 60s – and it features a stellar version of the group with Wayne Shorter on tenor, Lee Morgan on trumpet, and Bobby Timmons on piano – all wonderful players who were really coming into their own at the time, and starting to bring a richness to the Messengers sound that would leave its mark in jazz for many years to come!
One of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired".
This set is a previously unissued gig by one of the greatest lineups in the long history of Art Blakey & the Jazz Messengers – Blakey, drums; Bobby Timmons, piano; Wayne Shorter, saxophone; Lee Morgan, trumpet; Jymie Merrit, bass. First Flight to Tokyo: The Lost 1961 Recordings are drawn from the final shows of the band's first tour of Japan…
Killer stuff by Art Blakey – one of his few non-Blue Note sessions from the time, and a hard-wailing set that features the Jazz Messengers as a sextet! The format is one that flourished briefly in these early 60s years – and in this case, the already great lineup of Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano is joined by Curtis Fuller on trombone – a frontline that makes for some really amazing music, and which starts to bring in a lyrical energy to the group that's really amazing! The force of Fuller on the ensemble cannot be denied – and the group shift from straight hardbop with a soulful bent into an even more inspired mode – as you'll hear on the album's classic reading of Fuller's "Ala Mode" – nestled in alongside Jazz Messenger takes on standards like "Invitation", "I Hear A Rhapsody", and "You Don't Know What Love Is".