Art Bears

If you thought Henry Cow was a pretty political band to start with, you may be even more taken aback by the Art Bears, which was put together following Henry Cow's demise by former Cows Chris Cutler (percussion), Fred Frith (guitar, violin), and Dagmar Krause (voice). On The World As It Is Today and its predecessor, Winter Songs, the Art Bears move away from the long-form art rock of Henry Cow and get much, much more politically explicit: song titles like "The Song of the Dignity of Labour Under Capital" and "The Song of Investment Capital Overseas" almost sound like Monty Python gags today, but if any humor was intended it was clearly meant to be mordant. Frankly, the lyrics are so overwrought and portentous that it's hard to take them seriously. But the music is something else again…

The first album from Dagmar Krause, Chris Cutler, and Fred Frith's post-Henry Cow project is one of the art rock masterpieces of the 1970s. It's as politically potent as Henry Cow's more strident work, but couched in more poetic and provocative terms…

Finding distribution on the Residents' Ralph Records label, the Art Bears' second album consists of 12 songs of various tensions: rest vs. speed, improv vs. pulse, space vs. density, Dagmar Kraus's vocals vs. everyone else. As usual, Chris Cutler's lyrics tell political allegories through medieval-tinged stories: slaves, castles, and wheels of fortune (and industry) dominate…

The World as It Is Today is the third and last album by English avant-rock group Art Bears. It was recorded at Sunrise Studio in Kirchberg, Switzerland between 24 August and 7 September 1980, and was first released in 1981.

French avant-prog unit Art Zoyd formed in 1969 around the core of bassist Thierry Zaboitzeff, percussionist Jean-Pierre Soarez, and violin player Gérard Hourbette, with guitarist Rocco Fernandez, pianist Patricia Dallio, percussionist Daniel Denis (who later formed Univers Zero), and a changing lineup of half-a-dozen additional instrumentalists. In 1975, Zaboitzeff took over the group and changed its musical direction. The personnel would be narrowed to include two violins, electric bass, and trumpet, as evidenced by their debut full-length, Symphonie Pour le Jour Ou Bruleront les Cités, self-released in 1976. Its reception won them an opening slot on a tour with Magma.

French avant-prog unit Art Zoyd formed in 1969 around the core of bassist Thierry Zaboitzeff, percussionist Jean-Pierre Soarez, and violin player Gérard Hourbette, with guitarist Rocco Fernandez, pianist Patricia Dallio, percussionist Daniel Denis (who later formed Univers Zero), and a changing lineup of half-a-dozen additional instrumentalists. In 1975, Zaboitzeff took over the group and changed its musical direction. The personnel would be narrowed to include two violins, electric bass, and trumpet, as evidenced by their debut full-length, Symphonie Pour le Jour Ou Bruleront les Cités, self-released in 1976. Its reception won them an opening slot on a tour with Magma.

Inspired by avant / art rock bands like Arts Bears and Henry Cow and classic 70s progressive rock, as well as by contemporary classical composers, Thinking Plague has earned an avid international following by forging a singular synthesis of art-rock with 20th century classical. Rigorously constructed and passionately played, the music makes a compelling case for rock's relevance as a forum for creative composition. A new album by Thinking Plague is always an event; working slowly and unwaveringly, the group has released a handful of brilliant, art-rock classics. Hoping Against Hope is their 7th and the latest of them. Founded in 1982 by guitarist/composer Mike Johnson and bass guitarist/drummer/engineer Bob Drake, Thinking Plague built its following the old-fashioned way, though word of mouth and recordings passed around by fellow musicians and fans. For fans of: Tori Amos, Art Bears, Kate Bush, Henry Cow, King Crimson.