Arthur Lee

Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who", and the enchanting "She Comes in Colors", perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow"). It's only half a great album, though; the seventh and final track, "Revelation", is a tedious 19-minute jam that keeps Da Capo from attaining truly classic status.

"Arthur! You don't know how long we've waited!" shouted one enthusiastic female member of the audience after Love had finished performing their first song. "But you know how long I've waited," Arthur Lee playfully tossed back, eliciting sharp cheers from the crowd. Such was the spirit at the Royal Festival Hall, where, on January 15, 2003, Lee and Love re-created the Forever Changes album live in London for the first time. What could have been a pathetic display – Lee, the onetime star, performing old hits by rote – actually becomes a transcendent experience through two virtues: inspired string and horn accompaniment from a Scandinavian eight-piece, and the sheer shock and relief that Lee is able to hold himself together despite his years of well-documented self-abuse. The Forever Changes Concert does not take any liberties with the content of the legendary Forever Changes album, preferring note-for-note replication over reimagining.

Label-owner Art Rupe was a savvy businessman who knew the black jukebox industry and what made it tick when he started his Specialty label in the late-'40s. This sumptuous five-disc box set contains a bevy of highlights from this seminal R&B/rock … Full Description& roll label. Over the years, Rupe recorded a little bit of everything; early big band jump (the Liggins brothers), down-home blues and zydeco (Guitar Slim, Frankie Lee Sims, Clifton Chenier), gospel (early Sam Cooke and the Soul Stirrers), and doo wop (the Pentagons, Jesse Belvin). But with the discovery of the label's biggest star, Little Richard, in 1955, here is where the real story of rock & roll begins. A box set that no lover of the real thing can be without

He first grabbed the attention of the blues world around 1965-66 when Jewel Records released some Scotty Moore produced singles and a subsequent LP (recently re-released as Jelly Roll Blues on compact disc) by vocalist/guitarist/harp player Frank Frost which featured Arthur's incredible harp work with Sam Carr on drums. After moving to St. Louis, he relegated music to part-time status and concentrated on raising his family….