Unlike the majority of bubblegum bands, the Lemon Pipers' albums are actually quite good, not least because they were one of the few bubblegum bands who were a proper band with their own songwriters (although outside writer/producers did provide the two hits, the inescapable "Green Tambourine" and the actually even better "Rice Is Nice," a sweet, harp-laden depiction of a wedding day). Even the album tracks are pretty groovy, like the Cat Stevens-like character sketches "Shoeshine Boy" and "The Shoemaker of Leatherwood Square," which effectively use trippy string sections and playful harmonies. The snottier folk-rock of "Ask Me if I Care" and the far-out "Fifty Year Void," to say nothing of the nine-minute freakout "Through With You," give Green Tambourine a harder edge than most bubblegum albums, though it's still closer to, say, the Cyrkle than Cream. Seek it out, bubblegum snobs: you'll find yourself pleasantly surprised.
The Lemon Pipers were somewhat of an anomaly in the 1960s bubblegum community because the group actually had creative aspirations. Unfortunately, their high-water mark came with their first single, the infectious "Green Tambourine" (written by the team of Paul Leka and Shelley Pinz), which hit the number one spot on the pop charts in 1968. The follow-up singles (also written by Leka and Pinz) "Rice Is Nice" and "Jelly Jungle" added in interesting orchestrated Baroque pop elements, but ultimately failed to attract much attention. This compilation from Camden Records includes the Lemon Pipers' only two albums, Green Tambourine and Jungle Marmalade, and is the most complete single-disc collection of the group available (the Lemon Pipers recorded 26 tracks in their short history, and 20 of them are here).
THE EVERLY BROTHERS occupy a class entirely of their own, by far the most gifted vocal duo of all time and a major influence on every vocal harmony act who followed them, in particular, The Beatles. Between 1957 and 62 they recorded a devastating body of work, enjoying almost unparalleled success - which included fifteen million selling singles - for the Cadence and Warner Bros labels.