On the second volume in this two-disc series Thelonious Monk has come fully into his own as a leader. The program consists almost entirely of original compositions, and in fact it opens with two of his most difficult: "Four in One" (with its conventional bop intro that leads into a bizarre, repeated five-against-two quintuplet sequence) and the forbiddingly abstract "Criss Cross." Get through those and you'll eventually be rewarded with the relatively straightforward, blues-based "Straight No Chaser" and the sweet ballad "Ask Me Now," among other treats. ~ AllMusic
Genius Of Modern Music Volume One (1952). Volume 1 of the two-volume Genius of Modern Music set comprises the first sessions Thelonious Monk recorded as a leader, on October 15 and 24 and November 21 of 1947. It's impossible to overstate the importance of these sessions. They include some of the earliest recordings of Monk compositions that would become standards, despite their angularity and technical difficulty: the strange, sideways chord progression of "Thelonious"; the bouncy and cheerful but melodically cockeyed "Well, You Needn't"; the post-bop Bud Powell tribute "In Walked Bud"; and, of course, "'Round Midnight," which is now one of the most frequently recorded jazz compositions ever…
As any Monk aficionado knows, his solo piano performances were wonderful, idiosyncratic, living works of art that often wound up in completely different territory from where they began. Sometimes the results would be a little shakey; often they would be inspiring. Regardless, these solo performances were adventures, and that quality makes the double disc Monk Alone: The Complete Columbia Solo Studio Recordings, 1962-1968 irresistable.
After decades of self-exile, pianist/composer/bandleader Abdullah Ibrahim finally had an opportunity to return to his native South Africa in the early 1990s. This solo CD was recorded at Cape Town and has seven of his themes, all of which reflect his heritage; in addition, Ibrahim performs Thelonious Monk's "Ask Me Now." An excellent effort that must have been an emotional experience for the unique and masterful Abdullah Ibrahim.
Reissue. The latest remastering. Features the high-fidelity Blu-spec CD2 format. Bonus tracks. Monk was a perfectionist not always well-understood by the public or even the musicians of his day. All his other recordings involve other musicians with whom he must interact with varying results. This sometimes makes it difficult to hear Monk as himself rather than as an ensemble player. But this recording gives us a great window into Monk's musical soul unencumbered with any exogenous distractions. One gets the feeling that Monk is playing for himself with no one else in the room. Production values are nil: just Monk and a piano in a bare studio. It is a privelege to be able to eavesdrop on his private explorations of themes of, presumably, his own choosing. Having bonus tracks with 'duplicate' songs is a genuine positive; it allows you to hear Monk's differing approaches to the same material.