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Accurately dubbed "the Queen of Chicago blues" (and sometimes just the blues in general), Koko Taylor helped keep the tradition of big-voiced, brassy female blues belters alive, recasting the spirits of early legends like Bessie Smith, Ma Rainey, Big Mama Thornton, and Memphis Minnie for the modern age. Taylor's rough, raw vocals were perfect for the swaggering new electrified era of the blues, and her massive hit "Wang Dang Doodle" served notice that male dominance in the blues wasn't as exclusive as it seemed. After a productive initial stint on Chess, Taylor spent several decades on the prominent contemporary blues label Alligator, going on to win more W.C. Handy Awards than any other female performer in history, and establishing herself as far and away the greatest female blues singer of her time. Collection includes: Koko Taylor (1969); South Side Lady (1973); I Got What It Takes (1975); The Earthshaker (1978); From The Heart Of A Woman (1981); Queen of the Blues (1985); Jump For Joy (1990).

Ed Sheeran has announced details of his new album ‘=’ (Equals), confirmed for release on 29th October through Asylum Records. ‘=’ - the fourth instalment in Sheeran’s symbol album series - is Ed’s most accomplished work yet; the evolution of an artist who continues to tread new ground. A body of tracks that were made over a four-year period following his seminal ‘÷’ (Divide) album era, thematically, ‘=’ finds Ed taking stock of his life and the people in it as he explores the varying degrees of love (‘The Joker And The Queen’, ‘First Times’, ‘2step'), loss (‘Visiting Hours’), resilience (‘Can’t Stop The Rain’) and fatherhood (‘Sandman’, ‘Leave Your Life’), while also processing his reality and career (‘Tides’). Sonically, ‘=’ encapsulates Ed’s versatile musical palette, spanning signature, guitar-led tracks and world-class balladry to weightier, euphoric production moments, as first showcased on this summer’s emphatic comeback track, ‘Bad Habits’.

Tom Waits’ Glitter and Doom Live doesn't fall into the various traps that many other concert recordings do, though it does have its problems. This double-disc set marks his third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner, issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. Big Time, released during his tenure at Island in 1986, is hotly debated in fan circles. It is likely that Glitter and Doom Live will be too, but for different reasons. The musical performances here were culled from Waits’ historic sold-out tour of the U.S. and Europe. He compiled and sequenced the tracks himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label…

A compilation of the greatest hits from the eighties including: Sinéad O'Connor, Culture Club, Blondie, Duran Duran and many many more!