20 original albums recorded beetween 1959 and 1975 on the legendary soul label Atlantic, including Ray Charles, Aretha Franklin, Otis Redding, Wilson Pickett and Solomon Burke‘s masterpieces, the classic Stax/Volt recordings by Booker T. & The M.G.’s, Rufus Thomas, Sam and Dave, Eddie Floyd and Ben E. King, Percy Sledge, Don Covay and Donny Hathaway’s legendary LPs. Also includes material previously unreleased on CD, such as Sam Dee's classic The Show Must Go On.
In 2007 the Classics Chronological Series began reissuing every recording known to have been made by pianist Joe Bushkin (1916-2004), starting with the Commodore and Savoy sessions of 1940-1946. Released in 2008, the sequel to that amazing collection delves even deeper into the discographical dilemma of Bushkin's recording activities by tracing his movements during the years 1947-1950, beginning with six sides by Joe Bushkin & His Rhythm that originally appeared on 10" Royale and Rondo-lette LPs. This grab bag of obscure delights includes V-Disc jams, collaborations with cornetist Bobby Hackett and trumpeters Buck Clayton and Roy Eldridge, a smart take of "I May Be Wrong" sung by Liza Morrow, and a two-part romp through "Indiana" drawn from an MGM sampler called Maggie Fisher's Piano Playhouse. Tracks 15-24 are piano solos, recorded on February 24 and 25, 1950, and issued on one of the first-ever Atlantic LPs, I Love a Piano. A marvelous improviser and a skilled interpreter of popular melodies with a background in both Chicago-style and big-band swing, Joe Bushkin was now helping to establish the great mid-20th century genre of keyboard mood music.
Bob Howard made a remarkable number of recordings during 1935-38, enough to fill up five LPs. With the popularity of Fats Waller, Howard was signed by Decca as competition but he never came close despite the utilization of some notable sidemen. Howard moved to New York in 1926 and performed as a solo act. He was a fixture on 52nd Street in the 1930's, including at the Hickory House, Park Central Hotel and the Famous Door among others. Howard recorded five selections during 1931-32 for Columbia (three solo sides that included his vocals and two duets with trumpeter Manny Klein). A decent pianist, Howard stuck exclusively to goodtime vocals during his Decca period and among the other players on his records were Benny Carter (on trumpet and alto), trumpeters Bunny Berigan and Marty Marsala, clarinetists Buster Bailey, Barney Bigard, Cecil Scott and Artie Shaw, pianists Teddy Wilson…
The belter moved over to Newark, NJ-based Savoy midway through the decade and continued to prosper: "Candy," "Ramblin' Blues," and the intense "Blues Early, Early" rate with her finest cuts. "Ring Dang Dilly" and "Tell Me Who" rock with the seemingly effortless swing peculiar to New York's R&B scene at the time, thanks to the presence of saxists Warren Luckey and Jerome Richardson and guitarists Mickey Baker and Kenny Burrell, among others.