Audacity 2023

Billy Porter is a Grammy, Emmy, and 2x Tony Award winner. Porter began his music career in 1997 with the release of his self-titled (aka Untitled) debut album which spawned the Top 10 "Bubbling Under" single, "Show Me," and the monster ballad, "Love Is On The Way," which also appeared at the pivotal moment in the film, "First Wives Club."

Double vinyl LP pressing. Digitally remastered edition of this 1993 album from the Alt-Rock band led by Billy Corgan. While their album Gish had brought them to the attention of the Alternative crowd, Siamese Dream was the album that broke the quartet in a big way. Features the hits 'Cherub Rock', 'Today' and many more.

Why Does the Earth Give Us People to Love? is the debut album by Chicago-based Poet Laureate and singer-songwriter Kara Jackson. Why Does the Earth Give Us People to Love?, is a sonic invitation to process our grief. The title is a question the author is always answering. How do we give ourselves permission to yearn for the people we miss? How do we find the courage to let go of what begs to be released? How do we have the audacity to love in spite of everything invented to deter us from it?

Love is connection. Love is gratitude. Love is passion. Love is audacity. These qualities define tenor saxophonist James Brandon Lewis’ second album with the glorious Red Lily Quintet: For Mahalia, With Love. Whereas Lewis used his transformative talents to illuminate renaissance man George Washington Carver in a whole new way on Jesup Wagon, the groundbreaking 2021 masterpiece that swept most major jazz polls, the saxophonist does the same for the pioneering gospel-music force of nature Mahalia Jackson. But this time it’s personal, because Lewis lived her music growing up in Buffalo, N.Y., playing there in churches as a youth and being nurtured by his grandmother, who had received Mahalia’s singing like a bolt from above.

At the beginning of the Twentieth Century, all roads led to Paris. The Exposition Universelle drew great crowds, Hemingway and Kandinsky settled there, Proust wrote À la Recherche… and Cocteau La Machine infernale, Diaghilev’s Ballets Russes revolutionised dance, and Debussy, Satie and Stravinsky caused scandal. Recording together in duo for the first time, violinist Manon Galy and pianist Jorge González Buajasán capture the flavour of that time of renewal. With this eloquent interpretation of sonatas and other pieces by Debussy, Ravel, Poulenc and Milhaud, they offer a glimpse of the audacity and modernity that characterised French music during those years.