Invited to serve on the jury at a film festival, Director Ku does not care about his supposed-to-dos. Rather, chatting at parties and drinking now seem to be his all time favorites. Ku runs into an old friend who insists he come over for dinner and he stays the night at his friend's house. Yet, the next day, Ku finds himself in trouble with an alleged accusation of seducing his friend's wife. Later, he travels to Jeju Island to give a lecture. He hooks up with a painter for another long night of drinking. The day after, Ku is invited to the painter's where he happens to see his ex-girlfriend.
Delightfully comic exploration of the emotional and social geography of an art-house film director.
When Stevie Wonder applied his tremendous songwriting talents to the unsettled social morass that was the early '70s, he produced one of his greatest, most important works, a rich panoply of songs addressing drugs, spirituality, political ethics, the unnecessary perils of urban life, and what looked to be the failure of the '60s dream – all set within a collection of charts as funky and catchy as any he'd written before…
The greatest threat to privacy today is not the NSA, but good-old American companies. Internet giants, leading retailers, and other firms are voraciously gathering data with little oversight from anyone. In Las Vegas, no company knows the value of data better than Caesars Entertainment. Many thousands of enthusiastic clients pour through the ever-open doors of their casinos. The secret to the company's success lies in their one unrivaled asset: they know their clients intimately by tracking the activities of the overwhelming majority of gamblers. They know exactly what games they like to play, what foods they enjoy for breakfast, when they prefer to visit, who their favorite hostess might be, and exactly how to keep them coming back for more.