One of the continuing appeals of Hans Werner Henze's music is his ability to use the formidable arsenal of twentieth century musical innovations in works that have immediate aural appeal, while probing ambiguous or disturbing layers of meaning lurking beneath the surface. The complexity of his music is generally not so much apparent on its surface as in its psychology. While Henze has written in virtually every genre of music in his long and remarkably productive career, he is essentially a dramatic composer, and it's for his operas, ballets, music theater pieces, vocal music, and film music that he will be most remembered.
Otto Nicolai is known to most listeners, at least outside Germany, for his opera Die lustigen Weiber von Windsor (The Merry Wives of Windsor), and among most of those specifically for the opera's sparkling overture. Nicolai, who died at age 39, wrote four other operas and various pieces of orchestral music as well; the latter has been collected in two volumes by the German audiophile label MDG, performed by the little-known and exquisitely confusingly named Southern Westphalian Philharmonic – Orchestra of the Land of North Rhine–Westphalia (entirely capable, for all that). The program doesn't make perfect sense.
Olivia Ong is a Singaporean singer who found success in Japan with English-language renditions of bossa nova classics.
This is the second (and final) bootleg-gone-legit box that was actually sanctioned by Frank Zappa. But rather than go to the expense and time to use better sources – which the artist presumably had access to – he simply ripped off the illicit recordings that had been doing the same to him for decades. And voila, Beat the Boots was born. Zappa enlisted Rhino Records to manufacture and distribute the anthologies – which were packaged to appear as if the contents were being sold in a low budget cardboard box. However once inside Beat the Boots!, Vol. 2 (1992), consumers were treated to a full LP jacket-sized 40-page memorabilia scrapbook, a black felt beret and a red pin/badge bearing the hammer-in-fist artwork emblazoned on it.
Musica Alta Ripa was founded in 1984. The recorder player Danya Segal, two violinists Anne Röhrig and Ursula Bundies, cellist Juris Teichmanis, and harpsichordist Bernward Lohr, all outstanding, sought-after musicians in their fields, joined forces to form an ensemble that owes its special aura to the commingling of their individual personalities.
This new collection of 55 CDs from the acclaimed audiophile label offers a wealth of recordings from the 1950s and 1960s in an unrivaled range of repertory. This ranges from solo Bach played by harpsichordist Rafael Puyana to American composer and conductor Howard Hanson in his own works as well as music by fellow-Americans. Key artists include Antal Dorati in works ranging from Beethoven to Bartok and Berg; Frederick Fennell, Rafael Kubelík, Paul Paray and Janos Starker.