The Guarneri Trio Prague, belongs to the most renowned piano trios in the world of classical music. Founded by Ivan Klanský, Čeněk Pavlík and Marek Jerie, the Trio drew with its artistically spectacluar performances the attention of the international press early in its carreer. The Trio has been playing since 1986 in in the same line-up.
Russian Roots is the début recording of Trio Gaspard for Chandos Records, for which the group is joined by the soprano Katharina Konradi in a diverse and rewarding programme that explores the Russian influence across almost 200 years of music. A selection of Russian folksongs set by Beethoven, Shostakovich’s First Piano Trio and Seven Romances on Poems by Blok, and Weinberg’s Jewish Songs form the backbone of the recital. These are complemented by vocalises (wordless songs) by Stravinsky, Rachmaninoff, Gubaidulina, and Auerbach.
Three Palms for string quartet and soprano, op. 120 (1977): A poem by Mikhail Yuryevich Lermontov (1814–1841) speaks of three palm trees in the Arabian desert. Weinberg used this text as the basis of his like-named work, scored for the unusual combination of soprano and string quartet. The character of this 20-minute work, conceived in 1977, comes from its mixture of chamber music, song cycle and cantata……..
This CD introduces to disc the newly formed Florestan Trio comprising Susan Tomes, Anthony Marwood and Richard Lester, all now-familiar and highly respected artists after their many earlier recordings, both as members of other ensembles and as soloists. Miss Tomes and Mr Lester were, of course, members of the now-disbanded piano quartet Domus (which was joined by Mr Marwood in its last, award-winning recording of the two Fauré Piano Quintets on CDA66766).
Sharon Bezaly / Nobuko Imai / Ronald Brautigam – leading names on their respective instruments (flute, viola and piano). One great advantage of the recording medium is that it brings together musicians who would normally be too busy to sit down and play chamber music together. Here we have a disc featuring three remarkable musicians who have pooled their resources in the performance of some highly original repertoire. Not surprisingly where the flute is concerned, much of the music originated in France. Yet here it is not a matter of nineteenth century repertoire – of which there is an almost endless quantity featuring the flute – but of works written (with one exception) during the twentieth century.
This new album from one of today's most popular and sought after piano trios delves into the emotive essence of two young composers-Mieczyslaw Weinberg and Franz Schubert-whose compositions offer an encounter with poignant reflections on life, mortality, and ethereal beauty. Mieczyslaw Weinberg's op. 24 Piano Trio, conceived in 1945 amidst World War II's turmoil, embodies a haunting portrayal of unrest and despair. Infused with traces of klezmer music, this composition reflects Weinberg's personal journey as a Polish Jew fleeing wartime atrocities, crafting a musical narrative that echoes both tragedy and resilience.