Dvorák composed four piano trios, and all of them are fine works. The very last, the so-called "Dumky" Trio, has eclipsed the others in popularity, which is a pity, particularly with respect to the Trio No. 3 in F minor. This work, composed at exactly the same time as the Seventh Symphony, is clearly the finest work of its type since Beethoven–and that includes the three trios of Brahms. Perfectly proportioned, emotionally intense, and chock full of incredible tunes, it grabs you from the first note and never lets you go.
The two large-scale works by Dvořák and Smetana are complemented here by the one- movement Elegy, by Josef Suk, Dvořák’s student and later son-in-law. Formed in 2007, the Sitkovetsky Trio performs worldwide and has received numerous awards and critical acclaim, but is here making its début on disc, in a programme perfectly suited to the ensemble’s virtuosic and impassioned music-making.
Trio Khnopff writes of this new release: Weinbergs Trio was one of the first big pieces we played together, and it has remained a unanimous favorite. The huge emotional spectrum, the quality and originality of the writing, the instrumental challenge, the composer himself (a young man facing the greatest personal and societal challenges) this all comes together in his Trio to create a work that resonates deeply with us and that has been something of a constant companion. The idea of dedicating our first album to Weinberg, and more precisely to the pivotal time around 1945, felt like a natural one.
If you’ve not previously heard of the Sitkovetsky Trio, it’s because this is the ensemble’s recording debut. Formed in 2007 by three young musicians who met at Menuhin School in England, the group won first prize at the International Commerzbank Chamber Music Award just one year later, and then the NORDMETALL Chamber Music Award at the Mecklenburg Vorpommern Festival one year after that in 2009.
The first recording by the Delta Piano Trio on Challenge Classics. The Trio have chosen works by Frank Martin, Tigran Mansurian and Antonin Dvorak which span almost a century, are from very different cultures, but which are all based on folk tunes.